Clyde Hopkins' Implosive Abstraction at Castor

Clyde Hopkins' Implosive Abstraction at Castor
Clyde Hopkins Implosive Abstraction at Castor

Clyde Hopkins, Flatter by the Bee's Attention (1991). Oil on linen. 137 x 113 cm. Courtesy Castor, London.

Clyde Hopkins Implosive Abstraction at Castor

Clyde Hopkins, Seagulls, Brian Sewell, Kicking etc (1992). Oil on linen. 162 x 132 cm. Courtesy Castor, London.

Clyde Hopkins Implosive Abstraction at Castor

Clyde Hopkins, May and Dagwood (1991). Oil on canvas. 188 x 176 cm. Courtesy Castor, London.

By Rory Mitchell – 3 February 2023, London

Last September, Castor and indigo+madder packed up shop in Deptford in southeast London—a haunt of Goldsmiths art students—and relocated north of the river to Fitzrovia. The two galleries have since shared a space while running separate exhibition programmes.

On visiting Noorain Inam‘s show at indigo+madder, we came across Andy Wicks, founder of Castor, who was in the process of hanging his latest exhibition dedicated to the late British abstractionist Clyde Hopkins.

Wicks has brought together a selection of the abstract artist’s large-scale works on canvas and paper for Clyde Hopkins: Paintings 1989–1993 (27 January–4 March 2023), which spans a pivotal period in the artist’s career.

It was a joy to be introduced to Hopkins’ practice, with its implosive energy and expressive vigour. Hopkins held exhibitions at top U.K. institutions, including a solo show at the Serpentine 1986. His painting Kent to Yorkshire (via the DT) (1983–1984) was acquired by the Tate in 2020.

Main image: Clyde Hopkins, Bread in Pocket (1991) (detail). Oil on canvas. 177.5 x 210 cm. (detail). Courtesy Castor, London.
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