Press Release

Die Brücke – founded in Dresden in 1905 by young architecture students – ranks among the most important movements of the German avant-garde. Ernst Ludwig Kirchner, Erich Heckel and Karl Schmidt-Rottluff, later joined by Hermann Max Pechstein and Emil Nolde, sought to break with academic art and the bourgeois constraints of their time. In search of new modes of expression – immediate, subjective, charged with emotional intensity – they experimented with colour, form and surface as well as with a range of techniques, becoming a driving force of German Expressionism. Even after the group disbanded in 1913 and each artist went their own way, this shared sensibility endured: art understood as the unmediated expression of feeling.

At the centre of our presentation at Independent 20th Century is Ernst Ludwig Kirchner’s Totentanz der Mary Wigman (1926/1928), one of the major works of his Davos years: the painting finds a compelling pictorial equivalent for dance, translating movement into colour. Kirchner was fascinated by Mary Wigman, one of the foremost pioneers of modern expressionist dance in Germany. Across the boundaries of their respective disciplines, both pursued the same question: How does existential feeling become movement – and movement, form?

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Selected Works

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Artists Exhibiting

Also Exhibiting at Beck & Eggeling International Fine Art

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