CAI ZEBIN

The title of the show is taken from renowned Russian-American writer Vladamir Nabokov’s novel of the same name, which depicts the life–outwardly uneventful, but turbulent at its core–of a professional chess player. Like Nabokov’s hero, Cai Zebin conceals enormous amounts of meditation, artistic practice, and painterly detail within relatively simple creative forms. It is only through a steady, meticulous process of ‘decryption’ that viewers can discover, and appreciate these details.

Chess pieces of every variety are scattered throughout the exhibition, serving as visual ‘clues.’ Cleverly arranged in different settings, they form balances or contrasts with brushstrokes, textures, colours, and other compositional elements. Cai’s paintings, consciously or unconsciously, evoke moments in art history that are both unforgettable and difficult to pin down: from the American Regionalist strain of realism to Gothic art, from the creations of Early Renaissance masters to the later work of the Impressionists. The artist ‘disguises’ his paintings behind surfaces that seem devoid of immediate meaning, thus distancing them from art that is pleasing at first glance, but lacks substance in reality.

This will be the first exhibition in which Cai Zebin’s sculptures are shown. The sculptures accentuate the tactile aspect of the paintings, and are modelled on the figures therein. Together, the paintings and the sculptures form an organic relationship.

Cai Zebin (b. 1988) is a Beijing-based visual artist originally from Shantou, Guangdong province in Southern China. He graduated from Guangdong Academy of Fine Arts in 2012. Working primarily in painting, Cai has lately begun venturing into sculptural works. His atmospheric pieces often contain humorous titles that offset a darker undertone. Selected solo includes: The Defense, Capsule Shanghai, Shanghai, China (2018); Olive, NUOART Gallery, Beijing, China (2015). He has participated in the following group shows: The Latch, That Obscure Object of Portrait, C-Space+Local, Beijing, China (2017); □, A+ Contemporary, Taipei, Taiwan (2016); Hinterland Project, Times Museum, Guangzhou, China (2015), etc.