In such a mode, which surpasses experiences and feelings, Jiang Cheng did not intentionally seek for meanings with things and phenomenon. Maybe art rooted in daily life, should first have the capacity of finding the most meanings in most meaningless things; the ability of bringing whatever and wherever to the height of importance. However, this kind of choice and transformation does not put meaning to people or things, rather, it presents meaning through relationship between people and objects, and through detailed anecdotes. He picks and chooses from realistic personal experiences while releasing his own memory, interests and tastes; a genuine and direct presentation of inner-self under imagination, referred to as abstract reality of one’s inner reflection.

Maybe Jiang Cheng would eventually like to accomplish is depicting the real condition of a small fragile living being seeking out the trajectory and intimate feelings in the world of such vast chaos. We can see that these works have a blood tie with realism; they also demonstrate his classic art education background. At the same time, he maintains a free, open and experimental working attitude. Such expansion with freedom fills the jumping gaps making his works so much more complete, consolidating all senses and distilling his fearless unique and thriving self-expression in this chaotic world.