GROUP EXHIBITION

Barbara Hepworth’s (1903–1975) screenprints provide a fresh dimension to her sculptural legacy. Through intricate cuts and delicate linework, Hepworth translates the essence of her organic forms into the two-dimensional realm. The prints become a testament to her ability to convey a sense of fluidity and balance, encapsulating the enduring elegance that defined her sculptures.

Lynn Chadwick’s (1914–2003) abstract sculptures find a counterpart in his etchings, where the dynamic and angular forms come to life on paper. The prints capture the essence of Chadwick’s sculptural vision, showcasing the interplay between light and shadow, mass and void. Chadwick’s graphic explorations reveal a continuity of expression that seamlessly transcends from sculpture to print.

Howard Hodgkin’s (1932–2017) emotionally charged paintings extend their reach into the realm of aquatint. The prints, marked by vibrant colours and gestural brushstrokes, serve as windows into the artist’s emotional landscape. Hodgkin’s ability to convey intimacy and spontaneity through printmaking adds a layer of depth to his exploration of colour and form.

Henry Moore’s (1898–1986) drawings and prints offer a unique perspective on his iconic sculptural works. These prints, marked by a balance of abstraction and representation, showcase Moore’s fascination with the human figure and the natural world. The lithographs become a bridge between his monumental sculptures and the intimacy of the printed page.

Graham Sutherland’s (1903–1980) surreal and distorted imagery takes on new life in his graphic works. Through lithography and etching, Sutherland weaves intricate narratives that challenge conventional perceptions. The prints invite viewers to explore the enigmatic realms that Sutherland so masterfully crafted throughout his career, providing a visual feast of the strange and captivating.