A group of voices accompanies me in the exhibition. They are singing words I cannot comprehend, yet the warm tunes are familiar: folk songs, love songs, songs of longing. There are letters, too. They speak of the quotidian details of a soldier's life: the hardness of the war, sending money to the family, and longing for familiar landscapes, food,...
There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Esther Schipper is pleased to announce Ballardian House, Jean-Pascal Flavien's second solo exhibition with the gallery.
Jean-Pascal Flavien has constructed a life-sized house within the exhibition space. Set in the midst of a sandy ground with a number of rocks, the environment evokes a desert. Made of two near identical structures, posed at an angle and apparently held by a central hinge, the house, entitled ballardian four, addresses a notion of doubling, coupling, and splitting—processes that continue throughout the exhibition. The two parts constitute separate but connected elements: while one section of the house is accessible and may accommodate a living inhabitant, its double is inhabited only by a stone. The landscape thus enters the building and becomes trapped in this museum-like space: like a vitrine, the closed-off structure holds its contents in a state of being looked at. Building and landscape are contingent, organizing one another in a reciprocal exchange of qualities.
Ballardian House creates a concrete setting, while evoking an entire fictional universe. Dissolving demarcation between mental space, built structure and surrounding landscape, Jean-Pascal Flavien's house draws on the writings of J.G. Ballard whose highly charged dystopian scenarios often displace psychological and existential conditions onto buildings and landscapes. The house will include custom-made furnishings, specific to its premise, drawing both on Jean-Pascal Flavien's formal vocabulary and on a condensed Ballardian world. New sculptural works inside the building will also draw on texts: represented by conglomerates of citations from Ballard's writing, these works are neither real nor abstract but exist at once in multiple fictional locations and realities—as if the words were bringing to completion what is not physically present. In addition, the landscape outside the house will include a pair of entangled chairs that echo the house's act of doubling yet also invoke the presence of inhabitants, just as doubling rows of small boulders recall an archaic meeting place but also incorporates an instance of mirroring. The sculptures can appear to shift between states: at times present as discrete objects, at others fusing more resolutely chameleon-like into the fantastic landscape Ballardian House conjures up.
Jean-Pascal Flavien’s practice combines elements from architecture, sculpture, and the performative. The artist's houses are based on imaginary settings imposed by the artist and/or requirements determined by function and imagined site. Each house bespeaks certain circumstances (technical, aesthetic and existential) but in turn may also itself produce such conditions. The structures are conceptual entities, representing ideas, locations, and events in which the architectural conditions can determine the behavior of its inhabitants (and vice versa).
Jean-Pascal Flavienwas born in 1971 in Le Mans, France. He studied Fine Arts in Rennes, Bologna, Lorient, and participated in the Graduate Program of the University of California, Los Angeles. The artist lives and works in Berlin.
Flavien’s recent solo exhibitions include: dancers sleeping inside a building, Les Ateliers de Rennes – Biennale d’Art Contemporain, Musée de la Danse, Rennes (2016); folding house (to be continued), NMNM – Nouveau Musée National de Monaco (2016); folding house, NMNM – Nouveau Musée National de Monaco (2015); statement house (temporary title), RCA, London (2015); night house at daytime, textes de nuit, Angle Art Contemporain, Saint-Paul-Trois-Châteaux (2013); Cinonema, no drama cinema, South London Gallery, London (2012); breathing house, la maison respire, Parc Saint Léger, Centre d’art contemporain, Pougues-les-Eaux (2012); Jean-Pascal Flavien, Kunstverein, Langenhagen (2012), and PLAY, HEDAH/Jan van Eyck Academie, Maastricht (2011).
Recent group exhibitions include: The Way We Perform Now, Ujazdowski Castle – Centre for Contemporary Art, Warsaw (2017); Meeting Points 8, Beirut Art Center, Beirut (2017); Variable Dimensions – Artists and Architecture, MAAT, Lisbon (2017); The House of Dust by Alison Knowles, The James Gallery, New York (2016); Jump, CAC Brétigny – Centre d’Art Contemporain, Brétigny-sur-Orge (2016); L’Esprit du Bauhaus, Musée des Arts décoratifs, Paris (2016); De toi à la surface, Le Plateau – FRAC Ile-de-France, Paris (2016); La collection des objets que l’on utilise sans les toucher, CNEAI, Chatou (2015); All that falls, Palais de Tokyo, Paris (2014); Was Modelle können, Museum für Gegenwartskunst Siegen (2014).
The life-sized project folding house (to be continued) was acquired for the collection of the NMNM – Nouveau Musée National de Monaco and inaugurated in July 2016 on the museum’s outside terrace.
In November 2017, the Heidelberger Kunstverein will present the artist's it says (twitter house). Also in November, at the Marta Herford Museum for Art, Architecture, Design in Herford, Jean-Pascal Flavien will exhibit his statement house, first built in London at the Royal College of Art in 2015.
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