Comprising nine new works, the collection displays a diversity of materials (glass, concrete, steel...) that resonate within the gallery space. The forms seem animated by the same movement: they turn, pivot, respond to each other and, as the artist points out, ‘through rotation, they seek to escape language’.

This circulation is not merely a formal gesture: it conveys a dynamic of emancipation in which thought becomes volume and matter becomes the vehicle of a silent, dense and concrete language. The works engage in dialogue with each other through their movements and the voids that separate them, exploring how forms confront, evade or balance each other in space.

The exhibition thus presents itself as a field of forces, a space of relationships rather than a simple arrangement of works. Each revolves around an invisible centre, acting as a mirror or counterweight, contributing to a rigorous but elusive whole, a mechanism in continuous motion where form, gravity and thought merge.

Courtesy Galerie Greta Meert