
This sharply focused historical exhibition, ‘Sophie Taeuber-Arp. La règle des courbes / The Rule of Curves’ is curated by Briony Fer and is the gallery’s first solo display of Taeuber-Arp’s work, featuring over 45 artworks spanning a four-decade period from 1916 – 1942. Coming from the German Arp Foundation (Stiftung Hans Arp und Sophie-Taeuber-Arp e.V.) and important private and public collections, the show includes paintings, drawings, gouaches, wooden reliefs and an iconic Dada head. The exhibition draws attention to the artist’s formal vocabulary of the curve, which she used in innovative ways to stretch, bend and warp the language of geometric abstraction.
Sophie Taeuber-Arp is one of the most important artists of the 20th-century avant-garde. Dismantling conventional oppositions between Dada and geometric abstraction, fine art and utilitarian objects, ‘La règle des courbes’ shows how Taeuber-Arp boldly engaged with the cultural context of international modernism.
The title of the exhibition refers both to a rule as an organising principle and to an instrument used to measure lengths and distances like a ruler. The works display Taeuber-Arp’s exploration of the curve, what it can measure and how it can calibrate the space between work and world. Rather than consider her abstract language as self-referential and cut off from the world, Taeuber-Arp developed a formal lexicon that spoke to the world and was of its environment, leaving a body of work that invites us to rethink the driving impulses of early abstraction and that still resonates today.
The exhibition will be accompanied by a bilingual publication, ‘Sophie Taeuber-Arp: La règle des courbes / The Rule of Curves,’ from Hauser & Wirth Publishers, featuring new critical texts by Briony Fer and Jenny Nachtigall that shed new light on Taeuber-Arp’s artistic output.
Courtesy Hauser & Wirth.










Sophie Taeuber-Arp (1889–1943) is one of the most important artists of the twentieth-century avant-garde and is considered a pioneer of Constructivist art. Reconciling extremes with confidence—Dada and Geometric Abstraction, fine art and utilitarian objects—Taeuber-Arp’s works boldly engaged with the intellectual context of international modernism. Through her multi-faceted approach to media, she challenged traditional hierarchies between fine and applied art, and asserted art’s urgent relevance to daily life. Taeuber-Arp defied categorization during her brief career through her work as a painter, sculptor, architect, performer, choreographer, teacher, writer, and designer of textiles, stage sets and interiors.




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