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Latest Ocula Conversations Zoe Butt on the Challenges and Rewards of Curating Wong Ping: Hong Kong Fables 田原 Tian Yuan Thomas J Price: Reframing Classical Sculpture Melati Suryodarmo: Performance Art as Trigger Latest Ocula Reports ‘An Opera for Animals’ at Rockbund Art Museum Ocula 报告｜Condo Shanghai 2019 展览看点 Get Up, Stand Up Now: Generations of Black Creative... TarraWarra International 2019: Tracing Tangible Shadows Aesthetic Radicalism in ‘Awakenings’ at Singapore’s...
‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告｜Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告｜Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Marian Goodman Gallery

Browse Artworks
Dear Bill Gates by Allan Sekula contemporary artwork
Allan SekulaDear Bill Gates, 1999 Triptych; cibachrome prints, typewritten letter
67.9 x 258.4 x 6.3 cm (incl frame)
Seamstress and Apprentice, SNCF Workshop from "TITANIC's wake" by Allan Sekula contemporary artwork
Allan SekulaSeamstress and Apprentice, SNCF Workshop from "TITANIC's wake", 1998/2000 Cibachrome print; diptych
67 x 172.1 x 6.3 cm (incl frame)
Shipwreck and Worker, Istanbul from "TITANIC's wake" by Allan Sekula contemporary artwork
Allan SekulaShipwreck and Worker, Istanbul from "TITANIC's wake", 1998/2000 Cibachrome print
101.6 x 140.3 x 6.3 cm (incl frame)
Sleeping Deep Red by Annette Messager contemporary artwork
Annette MessagerSleeping Deep Red, 2017–2018 Duvet, mixed media, black acrylic paint, string
170 x 153 x 20 cm
Sleeping Purple Passion by Annette Messager contemporary artwork
Annette MessagerSleeping Purple Passion, 2018 Duvets, mixed media, black acrylic paint, string
220 x 105 x 40 cm
Beyond GOD and Evil — The Divine Assembly 6 by Yang Fudong contemporary artwork
Yang FudongBeyond GOD and Evil — The Divine Assembly 6, 2019 Acrylic on inkjet print
195 x 135 cm
Beyond God and Evil — One loves ultimately one's desires, not the thing desired by Yang Fudong contemporary artwork
Yang FudongBeyond God and Evil — One loves ultimately one's desires, not the thing desired, 2019 Acrylic on inkjet print
53 x 70 cm
Lexicon Medium Bronze (Knight) by William Kentridge contemporary artwork
William KentridgeLexicon Medium Bronze (Knight), 2018 Bronze
93 x 106 x 53 cm
Eden 4 by Sabine Moritz contemporary artwork
Sabine MoritzEden 4, 2019 Oil on canvas
200 x 170 cm
Hot & Cold Series: YES, THANK YOU, BETTY There's one called... by John Baldessari contemporary artwork
John BaldessariHot & Cold Series: YES, THANK YOU, BETTY There's one called..., 2018 Varnished inkjet prints on canvas with acrylic paint
145.7 x 238.8 x 3.8 cm
Hot & Cold Series: GILLIS Hungry?, HUH? by John Baldessari contemporary artwork
John BaldessariHot & Cold Series: GILLIS Hungry?, HUH?, 2018 Varnished inkjet prints on canvas with acrylic paint
145.7 x 238.8 x 3.8 cm
Dwindler_Hazy Blue by Nairy Baghramian contemporary artwork
Nairy BaghramianDwindler_Hazy Blue, 2018 Paint, glass, zinked metal, coloured epoxy resin
243 x 56 x 68 cm
Pelle del monte by Giuseppe Penone contemporary artwork
Giuseppe PenonePelle del monte, 2012 White Carrara marble
95 x 90 x 3 cm
Ivy with Marilyn, Boston by Nan Goldin contemporary artwork
Nan GoldinIvy with Marilyn, Boston, 1973 Silver gelatin print
50.8 x 40.6 cm
Nous n'irons plus au bois... by Marcel Broodthaers contemporary artwork
Marcel BroodthaersNous n'irons plus au bois..., 1972 Diptych; vacuum-formed plastic plaque, estate
Neon forms (resembling clouds...) by Cerith Wyn Evans contemporary artwork
Cerith Wyn EvansNeon forms (resembling clouds...), 2014 Neon
67 x 170 x 4 1/2 inches
L'Infini by Annette Messager contemporary artwork
Annette MessagerL'Infini, 2018 Gloves, coloured pencils
195 x 95 x 15 cm
T=R=A=N=S (plane) by Cerith Wyn Evans contemporary artwork
Cerith Wyn EvansT=R=A=N=S (plane), 2019 Primed canvas on wooden stretcher
45.7 x 35.6 x 2.5 cm
Eyes closed assembly line by Allan Sekula contemporary artwork
Allan SekulaEyes closed assembly line, 2008/2010 Dye deconstruction/Ilfochrome transparency in light box
99 x 145 x 12.7 cm
Volunteer watching, volunteer smiling (Isla de Ons, 12/19/02) by Allan Sekula contemporary artwork
Allan SekulaVolunteer watching, volunteer smiling (Isla de Ons, 12/19/02), 2002 Diptych, cibachrome print
67 x 171.6 x 6.35 cm (incl frame)
Caduta libera (suicida felice) by Giulio Paolini contemporary artwork
Giulio PaoliniCaduta libera (suicida felice), 2018–2019 Pencil and collage on paper on Plexiglas case
220 x 530 cm
Retroscena (Una rosa amarilla) by Giulio Paolini contemporary artwork
Giulio PaoliniRetroscena (Una rosa amarilla), 2018–2019 Pencil and collage on paper on Plexiglas case
220 x 330 cm
Drawing for 'The Head and the Load' by William Kentridge contemporary artwork
William KentridgeDrawing for 'The Head and the Load', 2018 Charcoal, pastel and red pencil on paper
39 3/8 x 63 inches
Broadway at Prince Street, New York by Thomas Struth contemporary artwork
Thomas StruthBroadway at Prince Street, New York, 1978 Silver gelatin print
66 x 84 cm
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