Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
Born in France in 1972, Laurent Grasso has developed a fascination with the visual possibilities related to the science of electromagnetic energy, radio waves and naturally occurring phenomena. Grasso also explores these sciences as they apply to paranormal activity, a favorite subject of 18th century scientists and philosophers, often used as parlor entertainment during the Victorian era.Read More
In addition, Grasso uses imagery culled from the cinema and art history and, working in video, sculpture and, most recently, painting and drawing, he recreates phenomena — both human and natural—that set up surreal and ambiguous juxtapositions of time and space. One of his most well known works, Les Oiseaux, depicts a flock of starlings filmed in the dusk sky above Rome. Taken out of its natural context, the flock of birds resembles an ionic particle field, moved as if by unseen magnetic waves. Other works create visual representations of energy and wave movement found in places such as the Very Large Array Observatory in the desert of New Mexico.
Grasso often intentionally manipulates imagery by imposing unique and unusual perspectives onto his subject matter, thereby subverting the viewer's instinct to accept what they see at face value. A continually shifting viewpoint is at the heart of Grasso's aesthetic sensibility—in Grasso's words, 'the idea is to construct a floating viewpoint, thereby creating a discrepancy in relation to reality. We move from one viewpoint to another, and that's also how we manufacture states of consciousness.'
Grasso was awarded the Marcel Duchamp Prize in 2008 and is the subject of a major monograph—Laurent Grasso: The Black-Body Radiation—published by les presses du réel. Recent solo exhibitions have included The Horn Perspective at the Centre Pompidou and Gakona at the Palais de Tokyo, both in Paris, France in 2009. Grasso was also included in 9th Sharjah Biennial and Manifesta 8. For many recent exhibitions, including _Portrait of a Young Man _at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.
Grasso's US public art debut,Infinite Light, was installed on the exterior of the Hunter College Lexington Avenue pedestrian walkway in New York in 2008. One of Grasso's major architectural installations includes _Nomiya, _2009—2011, the temporary project he designed which was situated on the rooftop of the Palais de Tokyo in Paris, France.
Laurent Grasso lives and works in Paris, France.
Text courtesy Sean Kelly.
If a 21 st birthday "coming of age" observance can be applied to cultural events, 2018 marks the launch into adulthood of the Biennale of Sydney. In some ways Sydney's biennale was a precocious child, turning its back during infancy on mainstream Eurocentric art in favour of exploring its local geographic region, early on including...
The world-renowned Biennale of Sydney is back next year to celebrate its 45th anniversary exhibition. Set to maintain its status as the largest and best-attended contemporary arts event in Australia, the 21st Biennale of Sydney is anticipated to once again bring an impressive and diverse range of contemporary artists and artworks to the...
The Palais Fesch, an imposing 19th century building on the waterfront of the Corsican capital of Ajaccio, houses France's largest collection of Italian paintings outside the Louvre. There are works by Botticelli, Michelangelo, Titian, Veronese and many others – interspersed among portraits and busts of the island's most illustrious...
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.