
In fact, lately I find you repulsive.
The damage was done by you alone, but the trouble you caused harms everyone.
You are a hypocrite in a sincere world.
In your heart, you are convinced that no one understands you.
But to tell the truth, it doesn’t matter much anyway.
You are still just as disgusting.
Slowly, you begin to think of hypocrisy as sincerity. Slowly, hypocrisy becomes sincerity.
When the neck grows weary and aches for a massage, he misses his head.
He feels as though the bright lights in the city where he grew up gradually transformed into a kind of sound.
It is like the sound of bowing your head.
When you look down, every place seems the same.
Techno.
A basement, electronic music, neon lights penetrating the darkness, and the information overload and excessive pressures of contemporary life. These are the key elements of Lee Kit’s latest solo exhibition Techno at TKG+. As the repetitive rhythm of electronic music amplifies sensations and perceptions, it is followed by numbness and the extension of shock entangled into an infinite loop. Within the minimalist display of the exhibition, a myriad of emotions is stirred but not fully integrated; it is simultaneously empty and over-saturated, reflecting a contradictory state of human existence. Ambiguity is the defining characteristic of Lee Kit’s immersive installations, and his works always offer a multitude of interpretations. It is the contrast between verbal expression and artistic practice. The viewer’s discernment of this ambiguity presents the most lucid state of perception.
Born in Hong Kong and now based in Taipei, the trans-disciplinary practice of Lee Kit (李杰) incorporates painting, moving-image and readymade objects along with other intangible elements such as light and sound to create poetic reflections on his everyday surroundings and experiences.
A forerunner of Taiwanese modern art, the Tina Keng Gallery hinges upon the philosophy that art is a reflection of the times. The Tina Keng Gallery has its roots in the Lin & Keng Gallery (1992–2009) based in Taipei, Taiwan and Beijing, China. Delving into Western painting and Chinese art history, Lin & Keng tirelessly promoted the work of Asian classical masters, cultivating a critical thought on Greater Chinese modern art. The Tina Keng Gallery has continued this tradition by centering its focus on Asia, further excavating art history and rediscovering modern aesthetics. Upon this foundation, the Tina Keng Gallery is steadfast in nurturing Taiwanese modern and contemporary art, with hopes to capture the changing states of art through writings of history, in so doing highlighting the cultural underpinnings of its worldview. Art arises from culture, and culture mirrors the times. The Tina Keng Gallery endeavors not only to support Greater Chinese modern and contemporary art, but to shape a perspective that is elementally Asian.

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