GROUP EXHIBITION

Artists in the exhibition include Olga de Amaral, Lynda Benglis, Françoise Grossen, Maren Hassinger, Barbara Levittoux-Świderska, Louise Nevelson, Beverly Pepper, Mildred Thompson and Sophia Vari. These artists are known for working on an ambitious scale, building upon the gallery’s focus on monumental sculpture.

Active in the mid and late-20^th century, these sculptors developed new work during the era of second-wave feminism and within the context of feminist critique, as championed by critics and curators such as Lucy Lippard. While it not overtly feminist in concept, their work does not represent a retreat from politics. Rather, contending with the long-held belief–retained well into the 1970s – that sculpture was a muscular medium best suited to men, these artists stood against the prejudices and difficulty women encountered when trying to access the male-dominated spaces of foundries and woodshops. Lucy Lippard recounted, ‘In the winter of 1970 I went to a great many women’s studios... found women in corners of men’s studios, bedrooms, children’s rooms, kitchens’¹. Undiminished by this unfavourable context, the sculptors in Making It actively take up space with their work. Spreading across the walls and from ceiling to floor, reaching across the gallery and hanging in the air, these works prefigure installation art and a broader shift toward process and materials.

1. Lucy Lippard, “Changing Since Changing (1976),” in The Pink Glass Swan: Selected Essays on Feminist Art: 1970–1993 (New York: The New Press, 1995) 33.Download Press Release