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Taloi Havini: Reclaiming Space and History Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Sydney Biennale Connects Here with Everywhere Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

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Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

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HomePage Artists

b. 1953, USA

Browse Carrie Mae Weems Artworks

All the Boys (Profile 2) by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsAll the Boys (Profile 2), 2016Archival pigment print on gesso board diptych
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The Louvre by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsThe Louvre, 2006Digital c-print
73 x 61 x 2.5 inches (incl frame)
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The British Museum by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsThe British Museum, 2006–presentDigital c-print
50 1/4 x 50 inches
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Scenes & Takes (In the Carefully Construction Fusion) by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsScenes & Takes (In the Carefully Construction Fusion), 2016Laminated pigment print mounted on board, screen printed text on gesso board
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Scenes & Takes (The Bad and the Beautiful) by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsScenes & Takes (The Bad and the Beautiful), 2016Laminated pigment print mounted on board, screen printed text on gesso board
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Blue Notes (Claudia Lennear #1) by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsBlue Notes (Claudia Lennear #1), 2014Archival inkjet print with silkscreened colour blocks
99.1 x 78.7 x 5.1 cm (incl frame)
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Blue Notes by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsBlue Notes, 2014Archival inkjet print with silkscreened colour blocks
99.1 x 78.7 x 5.1 cm (incl frame)
Goodman Gallery Enquire about this work
Color Real and Imagined by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsColor Real and Imagined, 2014Archival pigment with silkscreened colour blocks
76.2 x 116.8 cm
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Mahalia by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsMahalia, 2010Inkjet on paper
48 x 36 inches
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The Assassination of Medgar, Malcolm and Martin by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsThe Assassination of Medgar, Malcolm and Martin, 2008Archival pigment print
61.06 x 51.2 x 1.75 inches (incl frame)
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The First Major Blow by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsThe First Major Blow, 2008Archival pigment print
60.88 x 50.88 x 2.25 inches (incl frame)
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Suspended Belief by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsSuspended Belief, 2009Archival pigment print
60.88 x 50.94 x 2.25 inches (incl frame)
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A Class Ponders the Future by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsA Class Ponders the Future, 2008Archival pigment print
61 x 51 inches (incl frame)
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All the Boys (Blocked 1) by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsAll the Boys (Blocked 1), 2016Archival pigment print and silkscreened panel mounted on gesso board diptych
Goodman Gallery Enquire about this work
All the Boys (Profile 1) by Carrie Mae Weems contemporary artwork
Carrie Mae WeemsAll the Boys (Profile 1), 2016Archival pigment print mounted on gesso board, diptych
Goodman Gallery Enquire about this work
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