Christopher Le Brun trained at the Slade and Chelsea Schools of Art in London he appeared early on in many group exhibitions, such as the influential Zeitgeist exhibition at the Martin-Gropius Bau, Berlin, and from 1980 on, in many solo exhibitions in Britain, Europe and America. He was a prizewinner at the John Moores Liverpool exhibitions in 1978 and 1980 and worked in Berlin during 1987-88 as guest of the DAAD artist’s programme. Between 1990 and 2003 he served as a trustee of the Tate and subsequently of the National Gallery, a period which saw his involvement in the radical developments of Tate at Bankside, Liverpool and St. Ives as well as the masterplan and re-development of the east wing of the National Gallery. In recent years he has been a trustee of the Dulwich Picture Gallery and the Prince’s Drawing School, which he helped to establish in 2000. In the same year he was elected Professor of Drawing at the Royal Academy.Read More
At a time when artists frequently use traditional modes or quotations in a spirit of irony, the repertoire of motifs with which his work is especially associated makes patent his strong attachment to the imagery and emotional address of Romanticism and Symbolism. His paintings ask us to attend not only to the compelling imagery he employs, but also to the poetic and structural processes through which it is made visible. He was elected President of the Royal Academy in December 2011. He is the 26th President since Sir Joshua Reynolds and the youngest to be elected since Lord Leighton in 1878.
— Profile courtesy of Royal Drawing School, London
Christopher Le Brun is president of Britain's Royal Academy of Arts. He is also a painter of unusual seriousness. His latest exhibition Composer has been curated by Zurich-based art consultant Emilie Bruner. It is held in two parts: at the Albertz Benda Gallery in New York City (until 15 Apil 2017), and at The Gallery at Windsor, Vero Beach...