CORITA KENT

Throughout the ‘60s, her work became increasingly political, urging viewers to consider poverty, racism, and social injustice. In 1968, she sought dispensation from her vows and moved to Boston following mounting pressure from the conservative Archdiocese of Los Angeles, as well as exhaustion from her increasingly public profile. After 1970, her work evolved into a sparser, introspective style, influenced by living in a new environment, a secular life, and her battles with cancer. She remained active in social causes until her death in 1986. At the time of her death, she had created almost 800 screen-print editions, thousands of watercolours, and innumerable public and private commissions.

Corita Kent’s work is held in the collections of the Museum of Modern Art, NY; Whitney Museum of American Art, New York, NY; Brooklyn Museum, Brooklyn; Hammer Museum, Los Angeles; Los Angeles County Museum of Art, Los Angeles, CA; SFMOMA, San Francisco, CA; National Gallery of Art, Washington DC; Ludwig Museum, Cologne; Victoria and Albert Museum, London, England; mumok, Vienna; Centre Pompidou, Paris; Frac Ile-de-France, Paris; Art Gallery of New South Wales, Sydney, among others. Notable exhibitions include: Corita Kent: Get With The Action, Ditchling Museum of Art+Craft, Ditchling, England (2019); Corita Kent and the Language of Pop, Harvard Art Museums, Cambridge, MA (2015); Someday is Now, Tang Museum, Saratoga Springs, NY (2013); People Like Us: Prints from the 1960s by Sister Corita, Museum Ludwig, Cologne, Germany (2007).

The Corita Art Center, a project of the Immaculate Heart Community, preserves and promotes Corita Kent’s art, teaching, and passion for social justice. Today, the Corita Art Center supports exhibition loans and public programs, oversees image and merchandising rights, and serves as a resource of information about her life and work.

Courtesy Andrew Kreps Gallery