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Art Taipei 2018 Ocula Report Art Taipei 2018 10 November 201810 Nov 2018 : Diana d’Arenberg for Ocula

'There is nothing more boring than the story of decline,' a journalist remarked at an art criticism panel I attended the evening before making the trip to see Art Taipei (26–29 October 2018). As I attended the opening night of Asia's oldest art fair, which celebrates its 25th anniversary this year, those words rang in my head. Wandering up and down...

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Charwei Tsai Ocula Conversation Charwei Tsai

Taiwanese artist Charwei Tsai's memorising and compulsive writing of the Heart Sutra—a Buddhist scripture that distills the wisdom of impermanence—is at the heart of her practice. Over the past ten years, Tsai has moved from writing to drawing, photography, and film—a selection of which is being presented at the Centre for Chinese...

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Crush at Para Site: What if you couldn’t have it? Ocula Report Crush at Para Site: What if you couldn’t have it? 10 November 201810 Nov 2018 : Hera Chan for Ocula

Drawn on paper by Oscar Chan Yik Long in gestural black ink strokes, Cupid (2015) greets visitors with a sinister toothy smile as they enter Para Site. The strikingly fearsome figure is positioned on the wall of the gallery's entrance, near one of Chen Dandizi's vertical neon tube lights, part of the series 'Tick Away' (2015), along which a...

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Dan Graham is an artist, writer, musician and intellectual whose practice over the last 50 years has combined the aesthetics and concerns of Minimalism with the fundamental inquiries of Conceptualism. Throughout a shape-shifting and wide-ranging practice, Graham has often utilised the human body to explore the role of the spectator. Although curators and critics have found Graham's oeuvre difficult to summarise—due in no small part to the artist's own elusiveness about his art—Graham's practice has long been an important reference point for later generations, if not a cornerstone of Conceptual art.

Graham grew up in Winfield and Westfield, New Jersey, and in 1963 moved to New York City, where he would later publish a series of texts on art, architecture, music and television. In 1964, at the age of 22, he co-founded the John Daniels Gallery, which exhibited the work of Minimalists and Conceptual artists such as Donald Judd, Robert Smithson, Dan Flavin and Sol LeWitt, the latter of whom had his first solo show at the space before it closed. Following the closure, Graham continued to write music and art criticism while using magazines as outlets for early text pieces—a move seen as a rejection of the elitist limitations of the white cube. Printed in a fashion periodical, Graham's 1965 work Figurative is a reproduction of a supermarket register receipt, while his most well-known early work, Homes for America (1966–7) is a photo-based essay published in Arts Magazine. Embracing the ephemerality of the periodical with a dry humour traceable throughout his practice, the work comprises a series of photographs of homogenous suburban houses, emphasising the similarities between the repetition of post-war residential architecture and the starkness of Minimalism as he saw it at the time.

Long-engaged with the Punk and Hardcore movements, in 1987, Graham designed the cover of Sonic Youth's album Sister, while his 55-minute 1982–4 quasi-documentary Rock My Religion draws parallels between rock-and-roll culture and religious ecstasy. In 2004, Graham collaborated with the punk group Japanther and the artists Laurent P Berger, Rodney Graham, Bruce Odland and Tony Oursler on the rock opera Don't Trust Anyone Over Thirty, which featured puppets, live music, sound recordings and video projections. However, Graham is now most recognised for the combination of architecture and art in his 'pavilions'—although he has suggested he doesn't like the word, and prefers to refer to them as public sculptures. Begun in the late 1970s, the semi-functional sculptures combine curving mirrored glass, steel, and sometimes hedges and grass to distort perception and refashion the stoicism of Minimalist forms. Incorporating elements of bus shelters and skyscrapers, the semi-reflective pavilions act as bisecting structures and interventions in urban spaces, engaging a range of perceptual experiences, as artist/curator Peter Scott has written, 'from detached voyeur to entranced narcissist'.

In 2009, Dan Graham: Beyond (25 February–25 May, The Museum of Contemporary Art Los Angeles; 25 June–11 October, Whitney Museum of American Art, New York), the artist's first significant American retrospective, was exhibited, co-organised by The Museum of Contemporary Art Los Angeles and the Whitney Museum of American Art in New York.

Elliat Albrecht | Ocula | 2017
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Featured Artworks

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Play Pen for Play Pals by Dan Graham contemporary artwork Dan GrahamPlay Pen for Play Pals, 2018 Stainless steel, glass and two way mirror
230 x 233.4 x 308.4 cm
Lisson Gallery Request price & availability
Stage Set for Music no 2 for Glenn by Dan Graham contemporary artwork Dan GrahamStage Set for Music no 2 for Glenn, 2018 Stainless steel and two way mirror
230 x 671.1 x 788.8 cm
Lisson Gallery Request price & availability
Foams by Dan Graham contemporary artwork Dan GrahamFoams, 1966-1999 Wall based vinyl text piece
Lisson Gallery Request price & availability
Passage Intime by Dan Graham contemporary artwork Dan GrahamPassage Intime, 2015 Two-way mirror, stainless steel
230 x 514 x 270 cm
Marian Goodman Gallery Request price & availability
S-Curve for St. Gallen by Dan Graham contemporary artwork Dan GrahamS-Curve for St. Gallen, 2001 Two-way mirror, wood, steel
255 x 1600 x 347.5 cm
Hauser & Wirth Request price & availability
Pavilion influenced by Moon Windows (Variation E) by Dan Graham contemporary artwork Dan GrahamPavilion influenced by Moon Windows (Variation E), 2017 Stainless steel and double-sided mirrors
122 x 122 x 86 cm
Galeria Filomena Soares Request price & availability

Recent Exhibitions

Contemporary art exhibition, Dan Graham, Rock 'n' Roll at Lisson Gallery,
Closed
3 October–3 November 2018 Dan Graham Rock 'n' RollLisson Gallery, Bell Street, London
Contemporary art exhibition, Dan Graham, Solo Exhibition at Galeria Nara Roesler,
Closed
12 August–12 November 2017 Dan Graham Solo ExhibitionGaleria Nara Roesler, São Paulo
Contemporary art exhibition, Group Exhibition, Metropolis at Simon Lee Gallery,
Closed
28 June–11 August 2017 Group Exhibition MetropolisSimon Lee Gallery, New York

Represented By

Ocula Magazine

Dan Graham Ocula Conversation Dan Graham Artist, USA

The telephone has always struck me as an ideal medium in which to converse with Dan Graham—his timing and use of the rhythms of speech on the phone rarely fail to surprise and impress. When one interviews Dan, you really just need to keep out of his way—you wind him up, and off he goes. On the phone, even during an informal...

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Related Press

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'We Had to Create Something New': Klaus Biesenbach on Inventing the Berlin Biennale Related Press 'We Had to Create Something New': Klaus Biesenbach on Inventing the Berlin Biennale ARTnews : 7 June 2018

Many of the art spaces in early '90s Berlin were located in vacant, abandoned, often ruined buildings that artists had taken over. Artists were running studio collectives and co-ops, outfitting surprising storefronts, and creating nightclubs and music programs. One very influential artist for me was Daniel Pflumm, who was organizing the...

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US artist Dan Graham brings 'Greatest Hits' to China Related Press US artist Dan Graham brings 'Greatest Hits' to China Global Times : 15 November 2017

A total of more than 20 artworks, from videos to installation works, on display at Beijing's Red Brick Art Museum will give Chinese visitors a chance to look back at US artist Dan Graham's five-decade-long art career. Titled Greatest Hits, the exhibition will run until February 25, 2018.

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Critic’s Guide: Beijing Related Press Critic’s Guide: Beijing Frieze : 14 November 2017

From explorations into the varied meanings of 'Asia' to an uncomfortably personal solo show, highlights of the best shows across the cityDiscordant Harmony: Observations of Artistic Practices in East Asia at the Transition between the 1980s and 1990s, Beijing Inside-Out Art Museum, 4 November – 4 February 2018.Beijing is the final stop in a...

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Dan Graham at Galeria Nara Roesler São Paulo Related Press Dan Graham at Galeria Nara Roesler São Paulo Artefuse : 12 September 2017

The first exhibition of Graham's work at Galeria Nara Roesler features Pavilion (2016), a new work created specifically for the occasion, in addition to six untitled maquettes (2011-2016) and the video work Death by Chocolate: West Edmonton Shopping Mall (1986-2005). Parallel to the exhibition, the Museum of Image and Sound will screen two of the...

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