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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Wong Ping: Hong Kong Fables Ocula Conversation Wong Ping: Hong Kong Fables

There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Dan Graham

b. 1942, USA

Dan Graham is an artist, writer, musician and intellectual whose practice over the last 50 years has combined the aesthetics and concerns of Minimalism with the fundamental inquiries of Conceptualism. Throughout a shape-shifting and wide-ranging practice, Graham has often utilised the human body to explore the role of the spectator. Although curators and critics have found Graham's oeuvre difficult to summarise—due in no small part to the artist's own elusiveness about his art—Graham's practice has long been an important reference point for later generations, if not a cornerstone of Conceptual art.

Graham grew up in Winfield and Westfield, New Jersey, and in 1963 moved to New York City, where he would later publish a series of texts on art, architecture, music and television. In 1964, at the age of 22, he co-founded the John Daniels Gallery, which exhibited the work of Minimalists and Conceptual artists such as Donald Judd, Robert Smithson, Dan Flavin and Sol LeWitt, the latter of whom had his first solo show at the space before it closed. Following the closure, Graham continued to write music and art criticism while using magazines as outlets for early text pieces—a move seen as a rejection of the elitist limitations of the white cube. Printed in a fashion periodical, Graham's 1965 work Figurative is a reproduction of a supermarket register receipt, while his most well-known early work, Homes for America (1966–7) is a photo-based essay published in Arts Magazine. Embracing the ephemerality of the periodical with a dry humour traceable throughout his practice, the work comprises a series of photographs of homogenous suburban houses, emphasising the similarities between the repetition of post-war residential architecture and the starkness of Minimalism as he saw it at the time.

Long-engaged with the Punk and Hardcore movements, in 1987, Graham designed the cover of Sonic Youth's album Sister, while his 55-minute 1982–4 quasi-documentary Rock My Religion draws parallels between rock-and-roll culture and religious ecstasy. In 2004, Graham collaborated with the punk group Japanther and the artists Laurent P Berger, Rodney Graham, Bruce Odland and Tony Oursler on the rock opera Don't Trust Anyone Over Thirty, which featured puppets, live music, sound recordings and video projections. However, Graham is now most recognised for the combination of architecture and art in his 'pavilions'—although he has suggested he doesn't like the word, and prefers to refer to them as public sculptures. Begun in the late 1970s, the semi-functional sculptures combine curving mirrored glass, steel, and sometimes hedges and grass to distort perception and refashion the stoicism of Minimalist forms. Incorporating elements of bus shelters and skyscrapers, the semi-reflective pavilions act as bisecting structures and interventions in urban spaces, engaging a range of perceptual experiences, as artist/curator Peter Scott has written, 'from detached voyeur to entranced narcissist'.

In 2009, Dan Graham: Beyond (25 February–25 May, The Museum of Contemporary Art Los Angeles; 25 June–11 October, Whitney Museum of American Art, New York), the artist's first significant American retrospective, was exhibited, co-organised by The Museum of Contemporary Art Los Angeles and the Whitney Museum of American Art in New York.

Elliat Albrecht | Ocula | 2017
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Featured Artworks

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Untitled by Dan Graham contemporary artwork
Dan GrahamUntitled, 2016 2-way mirror glass, aluminium, MDF and acrylic
42 x 107 x 125 cm
Galeria Nara Roesler
Kids Playing in Playground in Front ... by Dan Graham contemporary artwork
Dan GrahamKids Playing in Playground in Front ..., 1984 Cibachrome
130.5 x 160.5 cm
Lisson Gallery
Untitled by Dan Graham contemporary artwork
Dan GrahamUntitled, 2018 Stainless steel and two way mirror
107 x 107 x 91 cm
Lisson Gallery
Rock My Religion by Dan Graham contemporary artwork
Dan GrahamRock My Religion, 1983–1984 Black and white and colour video, sound
Metro Pictures
Passage Intime by Dan Graham contemporary artwork
Dan GrahamPassage Intime, 2015 Two-way mirror, stainless steel
230 x 514 x 270 cm
Marian Goodman Gallery
S-Curve for St. Gallen by Dan Graham contemporary artwork
Dan GrahamS-Curve for St. Gallen, 2001 Two-way mirror, wood, steel
255 x 1600 x 347.5 cm
Hauser & Wirth
Model by Dan Graham contemporary artwork
Dan GrahamModel, 2011 Aluminium and double-sided mirror
71 x 107 x 107 cm
Galeria Filomena Soares

Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Reflections on Space and Time at Galeria Nara Roesler, São Paulo
Closed
1 April–11 May 2019 Group Exhibition Reflections on Space and Time Galeria Nara Roesler, São Paulo
Contemporary art exhibition, Group Exhibition, Arquiteturas do Imaginário at Galeria Nara Roesler, Rio de Janeiro
Closed
14 February–30 March 2019 Group Exhibition Arquiteturas do Imaginário Galeria Nara Roesler, Rio de Janeiro
Contemporary art exhibition, Group Exhibition, Life to come at Metro Pictures, New York
Closed
17 January–16 February 2019 Group Exhibition Life to come Metro Pictures, New York

Represented By

In Ocula Magazine

Dan Graham Ocula Conversation Dan Graham Artist, USA

The telephone has always struck me as an ideal medium through which to converse with Dan Graham—his timing and use of the rhythms of speech on the phone rarely fail to surprise and impress. When you interview Dan, you remember to keep out of his way—you wind him up, and off he goes. On the phone, even during an informal conversation, he...

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In Related Press

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Preview Art Basel 2019 Related Press Preview Art Basel 2019 ARTnews : 7 June 2019

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.

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'We Had to Create Something New': Klaus Biesenbach on Inventing the Berlin Biennale Related Press 'We Had to Create Something New': Klaus Biesenbach on Inventing the Berlin Biennale ARTnews : 7 June 2018

Many of the art spaces in early '90s Berlin were located in vacant, abandoned, often ruined buildings that artists had taken over. Artists were running studio collectives and co-ops, outfitting surprising storefronts, and creating nightclubs and music programs. One very influential artist for me was Daniel Pflumm, who was organizing the...

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US artist Dan Graham brings 'Greatest Hits' to China Related Press US artist Dan Graham brings 'Greatest Hits' to China Global Times : 15 November 2017

A total of more than 20 artworks, from videos to installation works, on display at Beijing's Red Brick Art Museum will give Chinese visitors a chance to look back at US artist Dan Graham's five-decade-long art career. Titled Greatest Hits, the exhibition will run until February 25, 2018.

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Critic’s Guide: Beijing Related Press Critic’s Guide: Beijing Frieze : 14 November 2017

From explorations into the varied meanings of 'Asia' to an uncomfortably personal solo show, highlights of the best shows across the cityDiscordant Harmony: Observations of Artistic Practices in East Asia at the Transition between the 1980s and 1990s, Beijing Inside-Out Art Museum, 4 November – 4 February 2018.Beijing is the final stop in a...

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