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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Hot & Cold Series: THE FAT MAN... BETTY Except for about six pages by John Baldessari contemporary artwork John BaldessariHot & Cold Series: THE FAT MAN... BETTY Except for about six pages, 2018 Varnished inkjet prints on canvas with acrylic paint
Marian Goodman Gallery
BLAH by John Baldessari contemporary artwork John BaldessariBLAH, 2018 Mixografia® print on handmade paper
91.44 x 121.92 inches
Krakow Witkin Gallery
Miró and Life in General: Incumbent by John Baldessari contemporary artwork John BaldessariMiró and Life in General: Incumbent, 2016 Varnished inkjet print on canvas with acrylic paint
243.5 x 128.3 x 3.8 cm
Marian Goodman Gallery
Penguin by John Baldessari contemporary artwork John BaldessariPenguin, 2018 Polyurethane, stainless steel, acrylic, epoxy resin, and paint
79 x 29 x 32 inches
Beyer Projects
Giacometti with Barrel by John Baldessari contemporary artwork John BaldessariGiacometti with Barrel, 2018 Bronze, resin, stainless steel, and mixed media
186 x 26 x 25 inches
Beyer Projects
Storyboard (In 4 Parts): Man Carrying Ladder by John Baldessari contemporary artwork John BaldessariStoryboard (In 4 Parts): Man Carrying Ladder, 2013 Varnished inkjet print on canvas with acrylic and oil paint
191.77 x 196.85 cm
Marian Goodman Gallery
Movie Scripts / Art: Come on sugar by John Baldessari contemporary artwork John BaldessariMovie Scripts / Art: Come on sugar, 2014 Diptych, varnished inkjet print on canvas with acrylic paint
273.7 x 144.2 cm
Marian Goodman Gallery
Sediment (Part Two): Arm and Pillow by John Baldessari contemporary artwork John BaldessariSediment (Part Two): Arm and Pillow, 2010 Varnished archival print on canvas with oil and acrylic paint
177.8 x 137.16 cm
Marian Goodman Gallery
Beethoven's Trumpet (with Ear) Opus # 127, 130, 131, 132, 133, 135 by John Baldessari contemporary artwork John BaldessariBeethoven's Trumpet (with Ear) Opus # 127, 130, 131, 132, 133, 135, 2007 Resin, fibreglass, bronze, aluminium, and electronics
73 x 72 x 105 inches
Beyer Projects
Brain/Cloud (Two Views): with Palm Tree and Seascape by John Baldessari contemporary artwork John BaldessariBrain/Cloud (Two Views): with Palm Tree and Seascape, 2009 Foam, paint, resin, aluminium, video camera, projector, inkjet prints on vinyl
111.5 x 159.5 x 54 inches
Beyer Projects
Ear Sofa and Nose Sconces by John Baldessari contemporary artwork John BaldessariEar Sofa and Nose Sconces, 2009 Synthetic rubber, foam, resin, and wood
Beyer Projects
Giacometti Variations by John Baldessari contemporary artwork John BaldessariGiacometti Variations, 2010 Bronze, resin, stainless steel and mixed media
186 x 26 x 25 inches
Beyer Projects
Camel (Albino) Contemplating Needle (Large) by John Baldessari contemporary artwork John BaldessariCamel (Albino) Contemplating Needle (Large), 2013 Fibreglass, aluminium, stainless steel, acrylic and paint
Beyer Projects
Fake Carrot by John Baldessari contemporary artwork John BaldessariFake Carrot, 2016 Polyurethane, steel, epoxy resin, and paint
96 x 36 x 24 inches
Beyer Projects
Water on the Brain by John Baldessari contemporary artwork John BaldessariWater on the Brain, 2015 Polyurethane, wood, and paint
28.88 x 22.62 x 12.38 inches
Beyer Projects
Lead Cloud by John Baldessari contemporary artwork John BaldessariLead Cloud, 2017 Painted lead with aluminium core, stainless steel hardware
16.5 x 22 x 5 inches
Beyer Projects
Keys (With Intrusion) by John Baldessari contemporary artwork John BaldessariKeys (With Intrusion), 1994 Screenprint on Arches 88 paper printed to the edges
29 x 48 inches
Krakow Witkin Gallery
KAY’S HOTEL ROOM STU It sounds great. What’s the title and the next line? by John Baldessari contemporary artwork John BaldessariKAY’S HOTEL ROOM STU It sounds great. What’s the title and the next line?, 2017 Varnished inkjet print on canvas with acrylic paint
158.8 x 137.2 x 3.8 cm
Sprüth Magers
Pollock/Benton: Same by John Baldessari contemporary artwork John BaldessariPollock/Benton: Same, 2016 Varnished inkjet print on canvas with acrylic paint
242.6 x 119.5 x 4.1 cm
Marian Goodman Gallery
INT. BUSCH’S JEWELRY STORE - DAY MICHAEL Lugubrious movies of
lost love. by John Baldessari contemporary artwork John BaldessariINT. BUSCH’S JEWELRY STORE - DAY MICHAEL Lugubrious movies of lost love., 2017 Varnished inkjet print on canvas with acrylic paint
158.8 x 137.2 x 3.8 cm
Sprüth Magers
Word Chain: Faucet (Ilene's story) by John Baldessari contemporary artwork John BaldessariWord Chain: Faucet (Ilene's story), 1975 Colour and black & white 35mm contacts on grid paper
Simon Lee Gallery
OFFICE BUILDING - DAY MAYO Is there a Courbet for sale here? by John Baldessari contemporary artwork John BaldessariOFFICE BUILDING - DAY MAYO Is there a Courbet for sale here?, 2017 Varnished inkjet print on canvas with acrylic paint
158.8 x 137.2 x 3.8 cm
Sprüth Magers
INT. THE WOOD SHOP - DAY TODD First of all... by John Baldessari contemporary artwork John BaldessariINT. THE WOOD SHOP - DAY TODD First of all..., 2017 Varnished inkjet print on canvas with acrylic paint
158.8 x 137.2 x 3.8 cm
Sprüth Magers
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