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Ocula ReportIranian Art at LACMA: In the Fields of Empty Days12 Jun 2018 : Perwana Nazif for Ocula{{document.location.href}}
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art at the Los Angeles County Museum of Art (LACMA, 6 May–9 September 2018), explores 'the continuous and inescapable presence of the past in Iranian society.' Curated by Linda Komaroff, curator of Islamic art and head of LACMA's Art of the Middle East department, the...
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Ocula ConversationLaure Prouvost{{document.location.href}}
Laure Prouvost's most recent exhibition in New York at Lisson Gallery (9 March–14 April 2018) was a gesamtkunstwerk of sorts. The show spread through the entire 10th Avenue gallery space and included two years of artistic production: installation, sculpture, painting, textile, sound and moving image. Uncle's Travel Agency Franchise, Deep Travel...
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Ocula ReportDak’Art Biennale 2018: The Red Hour1 Jun 2018 : Federica Bueti for Ocula{{document.location.href}}
On my last evening in Dakar, I made my way to Yarakh, a neighbourhood on the eastern side of the Senegalese capital, where I was guided down a narrow sandy path toward a beach where a group of actors, artists, and locals were taking part in or attending the performance Xeex Bi Du Jeex (a luta continua). The play was written collaboratively in 2018...
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Jompet Kuswidananto was born in Yogyakarta, he divides his time between Bali and Yogyakarta, Indonesia. He studied Communication at the Faculty of Social and Political Science of Gadjah Mada University, Yogyakarta. He was a musician and during 1995-1999, he produced recording albums and performed in several gigs. Visual arts then became the main focus in the years after, trained and learned to be visual artist by and from the local art community.

Kuswidananto produces installations, videos, sounds, performances and scenographies. Working for years with Teater Garasi, a Yogyakarta based contemporary theatre group, gives a significant influences to the artistic approaches. xts. In much of his work, the idea of a ghost as a forgotten memory or haunting social presence has given birth to kinetic installations where symbols such as military costume come alive with sound and light.

In January 2014, he won the best installation category at the inaugural Prudential Eye Awards in Singapore with his work, Cortege of the Third Realm.

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