Kenny Scharf came to prominence as part of the New York Downtown scene and the East Village Art movement of the 1980s yet has established a visual language that is entirely his own. His bright, colourful, gestural practice spans painting, sculpture, murals and installation, featuring cartoon-like figures (and the occasional appropriated character) and dynamic forms.
Kenny Scharf was born in 1958 in Los Angeles. He has always seen faces in the objects around him (particularly the headlights and grilles of American cars) and was interested in cartoons from a young age, studying a book he found about how to draw them. “I don’t see [cartoons] as just for kids,” he said in 2025. “I look at [them] as a real communication, a universal language that transcends cultures and languages.” Scharf moved to New York City in 1978 and met Keith Haring and Jean-Michel Basquiat during his first week. Inspired by the city’s graffiti, and unable to gain gallery representation, Scharf, Haring and Basquiat made New York their canvas, working with graffiti artists. Scharf received his BFA from the School of Visual Arts in New York City in 1980, and the Times Square Show in the same year gave him a huge break.
Kenny Scharf’s Pop Surrealist art emerged from graffiti, placing blobs, faces and cartoon-like forms centre stage and breaking down boundaries between established ideas of “art” and popular culture. Inspired by space travel motifs from his 1960s LA childhood, as well as environmental concerns and the “background noise” of advertising, Scharf sometimes paints a utopian vision of the world, but also adds “evil” elements.
Inspired by his graffiti background, Scharf’s work has an immediacy influenced by taking risks around what comes next. His large-scale and public projects are mostly planned, but in his painting practice he rarely makes preliminary sketches, saying in 2026: “I prefer not knowing exactly where things are headed”.
Scharf’s Karbombz series (2013–2024) saw him spray more than 260 vehicles with faces, characters and bright colours. Envisaged as a way of bringing art on to the streets and breaking down the boundaries between apparent “high art” and street culture. The project began in Mobile, Alabama, when he was creating a mural and a passer-by asked him to paint their car.
Club 57 was an influential nightclub that began in 1978 in the basement of the Holy Cross Polish National Church in New York’s East Village. Artists and music-scene kids programmed events including exhibitions, monster-movie screenings and dance parties. Kenny Scharf created videos and multimedia pieces that captured the essence and atmosphere of the era and venue. The 2018 MoMA exhibition Club 57: Film, Performance, and Art in the East Village, 1978–1983 included Scharf’s videos.
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