Ocula MagazineContentsView All
Featured ContentView All
Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

Read More
Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

Read More
The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

Read More

Leung Kui Ting

b. 1945, China

Since the 1960s, Hong Kong artist Leung Kui Ting (梁巨廷) has consistently challenged existing paradigms in classical Chinese and modern Western art to create new visual effects. The artist divides his career into two parts: the first known as the 'cause' phase—during which Leung drew from his background in Chinese ink painting and graphic design—and the second, known as the 'effects' phase: a culmination of his decades-long trials, ongoing since 2000.

Leung was born in 1945 in Guangzhou, China, and grew up in Hong Kong. In 1964, he studied painting under Lui Shou-Kwan (1919–1975)—a leading figure in the Hong Kong New Ink Painting movement. The New Ink Painting movement revived interests in classical Chinese ink painting and advocated for an integration of Western art techniques and theories. Also influential in his education was Wucius Wong—the pioneering Chinese contemporary ink artist and another student of Lui—under whom Leung studied design. Between 1975 and 1990, Leung taught design at the Hong Kong Polytechnic.

In the early decades of his 'cause' phase, Leung experimented with various media in an attempt to create a hybrid of Chinese and Western artistic conventions. In the 1960s he worked in printmaking, sculpture and oil painting, while manipulating paper by dying, folding or sewing it to create irregular surfaces upon which to work. Drawing from his training in design, Leung created the geometric shapes that later became characteristic of his ink paintings. His fascination with texture continued into the 1970s, during which time he mixed calligraphy and oil pastels on paper.

Leung returned to Chinese ink painting in the mid-1980s when he travelled to different parts of China and gained a deeper understanding of the genre. Leung's newly found interests in rocks, trees and mountains as central subjects reflect those of Chinese literati painters—a school of scholar-artists that emerged in the Northern Song period (960–1127). The Chinese literati valued subjective representation of their experiences over the professional artist's realistic renderings of nature. Likewise, Leung uses the shapes and forms of nature as a vehicle through which he explores his thoughts.

Rocks are especially meaningful in Leung's paintings; in the series 'Zan Zak Zen', the artist portrays Chinese literati's rocks as if they were cliffs and mountains, while the magically floating mountains in 'Words from the Stones' also evoke the form. The dotted lines in Leung's paintings summon to mind the works of the dotted landscape of Mi Fu (1051–1108)—a renowned Song painter. However, Leung does not merely recreate the famous scenes of traditional literati paintings—he infuses them with elements borrowed from Western art, such as hard-edged planes and geometric forms suggestive of urban architecture. Leung also replaces the eye-level perspective with a panoramic view, introducing a perspective from a height that did not previously exist in classical Chinese painting.

In 2014, Hanart TZ Gallery, Hong Kong, organised a major retrospective exhibition of Leung's work. At the heart of Geometry of the Spirit: 50 Years of Leung Kui Ting was Circulatory Landscape: his iconic 360-degree landscape painting that maintained the fine balance between traditional Chinese ink painting and Western techniques. Since his nomination as one of the 10 Outstanding Young Persons in Hong Kong (1981), Leung has become among the most significant artists in the city. He is currently the director of Hong Kong Chingying Institute of Visual Arts.

Sherry Paik | Ocula | 2018
Read More

Featured Artworks

View All (12)
Beyond the Mountain No. 3 by Leung Kui Ting contemporary artwork Leung Kui TingBeyond the Mountain No. 3, 2007 Ink on paper
34 x 70 cm
Hanart TZ Gallery
Landscape Navigation No.008 by Leung Kui Ting contemporary artwork Leung Kui TingLandscape Navigation No.008, 2014 Ink and colour on paper
53 x 235 cm
Hanart TZ Gallery
Landscape and Transformation: Untrammelled Vision No. 7 by Leung Kui Ting contemporary artwork Leung Kui TingLandscape and Transformation: Untrammelled Vision No. 7, 2016 Ink & Colour on Bamboo Paper
178 x 60 cm
Hanart TZ Gallery
Landscape and Transformation: Untrammelled Vision No. 6 by Leung Kui Ting contemporary artwork Leung Kui TingLandscape and Transformation: Untrammelled Vision No. 6, 2016 Ink & Colour on Bamboo Paper
178 x 50 cm
Hanart TZ Gallery
Stones No. 2 by Leung Kui Ting contemporary artwork Leung Kui TingStones No. 2, 2013 Ink on silk
97.5 x 140 cm
Hanart TZ Gallery
Stones No. 1 by Leung Kui Ting contemporary artwork Leung Kui TingStones No. 1, 2013 Ink on Silk
98 x 140 cm
Hanart TZ Gallery

Recent Exhibitions

Contemporary art exhibition, Group exhibition, The Garden of Winter Light 冬光園 at Hanart TZ Gallery, Hong Kong
Closed
10 January–15 March 2019 Group exhibition The Garden of Winter Light 冬光園 Hanart TZ Gallery, Hong Kong
Contemporary art exhibition, LEUNG Kui Ting, Geometry of the Spirit: 50 Years of LEUNG Kui Ting at Hanart TZ Gallery, Hong Kong
Closed
14 November–27 December 2014 LEUNG Kui Ting Geometry of the Spirit: 50 Years of LEUNG Kui Ting Hanart TZ Gallery, Hong Kong

Represented By

In Ocula Magazine

Johnson Chang on Leung Kui Ting Ocula Insight Johnson Chang on Leung Kui Ting 6 November 2017

Born in Guangzhou in 1945, Leung Kui Ting moved to Hong Kong as a child and has gone on to have a marked influence on the city's art scene. Although originally a carpenter, Leung studied painting under Lui Shou Kwan and graduated from The Chinese University of Hong Kong, where he studied design under Wucius Wong. Today, he continues as a lecturer...

Read More

In Related Press

Arts preview: Geometry of the Spirit - 50 Years of Leung Kui-ting Related Press Arts preview: Geometry of the Spirit - 50 Years of Leung Kui-ting South China Morning Post : 26 November 2014

Leung Kui-ting is convinced his ink painting teacher, the late master Lui Shou-kwan, would not have approved of his protégé's retrospective exhibition.'When he saw my ink paintings back in the 1970s — for which I cut my xuan rice paper into different shapes and incorporated Western elements — he was already jumping up and down [with...

Read More

Be among the first to know when new artworks and exhibitions by Leung Kui Ting are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook