MCARTHUR BINION

Moving to Chicago in 1991, he became Professor of Art at Columbia College in 1993. In 2013, he rediscovered the address book that he’d maintained during his twenty-year stay in New York and began exploring its creative potential. Typically executed in oil-stick, his work draws upon the traditions of minimalism (the grid arrangement, serial gestures) whilst also being a form of self-portraiture. Underneath the precise and methodical markings lie photocopied pages with intimate details of Binion’s own life ranging from photos of his childhood home to his birth certificate and charged found photographs, such as those depicting the violence of lynching in America. Binion refers to this layer as the ‘under conscious’ or ‘substrate’, the details of which only become legible when standing close to the painting. Viewers are thus compelled to alter their viewing positions, shifting between the microscopic detail (words) and the bigger picture (image).

McArthur Binion lives and works in Chicago. His works were featured prominently in the 57th Venice Biennale, VIVA ARTE VIVA. Solo exhibitions of his work have been organised at Museo Novecento, Florence, Italy (2020); the Cranbrook Art Museum, Bloomfield Hills, MI (2018); the Contemporary Art Museum, Houston, TX (2012). Binion’s work is in numerous public and private collections and his most recent venture is the Modern Ancient Brown Foundation that provides funding and workspaces to help young visual artists and writers of colour find their voices.

Courtesy Xavier Hufkens