While Folland’s work generally highlights an anxiety for potential failure in everyday activity, the primary work considers this notion through a relationship between the controlled space of domestic dwelling, and the unpredictable chaos of the natural environment. By forcing everyday appliances to a point of excess, and by colliding their practical application with their inherent reference to naturally occurring forces, there is an attempt to highlight a fragile relationship to the world, and to shift our perceived sense of stability and security within the home.
Read MoreNicholas Folland was a Samstag Scholar who studied within the research program at the Piet Zwart Institute Rotterdam and the University of Barcelona, completing a Masters Degree at The University of Sydney in 2009. He has lived and worked in Australia and Europe, and examples of his practice are held in the collections of the National Gallery of Victoria, Art Gallery of South Australia and the Museum of Contemporary Art Sydney, as well as Australian university and regional Galleries and private collections internationally.
Photo of the artist courtesy of Calum Robertson / Adelaide Advertiser
