Octav Grigorescu’s style is characterized by a dynamic blend of abstract and figurative elements, often conveying a rich emotional and existential depth. Drawing inspiration from Symbolism and Surrealism, particularly the works of Paul Klee, Grigorescu integrated symbolic imagery and dreamlike elements into his art. While he explored profound themes of spirituality and history, his work also includes luminous and vibrant pieces, showcasing his versatility. His delicate works on paper reveal a sensitivity to detail and a refined aesthetic, highlighting the diverse range of his artistic expression.
In the person and art of **Octav Grigorescu **coincided a typically avant-garde nostalgia for the primordial and worship of the elementary on the one hand, and a postmodernist taste for crepuscular delights and the presentiment of death, on the other. Born in 1933, Octav Grigorescu died in 1987 at the age of just fifty-four, but during his short lifetime he created a body of work that made a mark on twentieth-century Romanian art. A painter, engraver and fine art professor, Octav Grigorescu plunged into his archaeological, mythological and even everyday reveries, filtering in a subtle way echoes of Da Vinci, Poussin and Hans von Marees.
**Octav Grigorescu **(1933-1987) lived and worked in Bucharest, Romania, Venice, Italy and Hamburg, Germany. Selected exhibitions include:_Lost in the Moment That Follows, Ways of Collecting: Ovidiu Șandor _Collection, Kunsthalle Prague (2023); Secret Wing, Timisoara Art Encounters Biennale, Timisoara (2021); LORA TAU and other stories, Galeria Plan B, Berlin (2020); _This part that seemingly needs to get out through a _place in my body, organised by Salonul de proiecte at Spike, Berlin (2020); Displacement and Togetherness, Cultuurcentrum Strombeek, Strombeek-Bever (2019); _COUNTERPOINT. An Octav Grigorescu – Georgeta Naparus _Retrospective, The National Museum of Contemporary Art (M.N.A.C.), Bucharest (2018); Une saison roumaine __(display of works from the museum collection), Centre Pompidou, Paris (2018); Les jours gigantesques, Plan B, Berlin (2017); The National Museum of Art, Bucharest (1984; 1960); The Biennial of European Graphic Art, Baden-Baden (1983); The Venice Biennale (1980; 1968); Edinburgh Art Festival (1971); Pratt Institute, New York (1969); Quatrième Biennale, Paris (1965).
Awards and distinctions: Cavaliere al merito della Repubblica Italiana (1983); ’‘Ion Andreescu’’ Prize, Romanian Academy (1966).
Courtesy Galeria Plan B

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