Rosa Barba is an Italian visual artist and filmmaker renowned for her innovative use of analogue film to create cinematic installations, sculptures, and site-specific interventions.
Barba is based in Germany.
Barba’s work examines the materiality of cinema, exploring themes of memory, landscape, and their mutual constitution through experimental documentary and fictional narratives. By treating film as both medium and object, Barba transforms exhibition spaces into immersive environments that challenge conventional notions of time, space, and narrative.
Barba’s practice is defined by several recurring themes:
Barba describes her approach in an interview with Ocula: ‘I am experimenting with how to draw a trace of the physicality of time with my camera or site-specific installations. Looking for ‘documents’ in the landscape—which manifest themselves in sculptural ways—is always an important method in my work’.
Barba’s notable works include:
Barba studied Theater and Film Studies at the University of Erlangen before attending the Academy of Media Arts Cologne. She later completed her PhD at Malmö Art Academy, Lund University, with a dissertation titled On the Anarchic Organisation of Cinematic Spaces: Evoking Spaces beyond Cinema. Her career includes residencies at prestigious institutions such as the Chinati Foundation in Marfa, Texas, and the Rijksakademie van Beeldende Kunsten in Amsterdam. She currently holds a professorship in Art in Space and Time at ETH Zürich.
In 2025, Barba will present The Ocean of One’s Pause at The Museum of Modern Art (MoMA) in New York (3 May to 6 July 2025). This landmark exhibition spans 15 years of her career and features film installations, kinetic sculptures, and live performances. The exhibition will explore light as an ecological force through film installations, live performances, and site-specific interventions
Barba’s live performances at MoMA feature soundscapes created by percussionist Chad Taylor and vocalist Alicia Hall Moran alongside her own contributions. These performances aim to activate dynamic interactions between light, sound, and moving images within the installation space.
Ocula | 2025


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