Tincuța Marin creates fantastical, imaginative worlds in painting and sculpture featuring characters referencing Romanian folklore and ancient civilisations. She reinterprets the realities of life, and the struggle between good and evil, telling stories in a magical world that is as much influenced by comic books as it is by the Renaissance.
Tincuța Marin was born in Galati. Romania in 1995. She has talked about seeing her mother painting at her easel, and how her favourite childhood memory recalls the smell of oil paints and her mum’s glass palette. She graduated from the University of Art and Design in Cluj-Napoca in 2019.
Tincuța Marin describes her paintings as “witchery and magic”. Driven by her imagination and utilising a creative practice often described as syncretic, Tincuța Marin creates worlds populated by toy-like characters exploring the ideas of good and evil, including Omul de Piatra (Stone Golem) and Bigfoot. Her paintings at the start of the 2020s depicted a dagger-wielding yellow “hero” figure—Marin’s characters blend the human with the architectural, but she also references architecture through arched doors and windows. Later works included bronze sculptures, which often frame the paintings themselves. The Cestrum Nocturnum exhibition of 2026 centred mythic, often female, figures as “protectors” in a world of uncertainties, inspired by Egyptian folklore but also drawing on modernist fragmentation.
Tincuța Marin has said that her dog, Giorgii “tells me what to paint”, but she also creates lots of sketches before creating a painting. She also makes clay sculptures that become models for her still-life works or the subjects of stop-motion videos.
While Tincuța Marin is known for painting and oil pastel work, she also creates clay and bronze sculptures. Her portal installation at Art Basel Hong Kong 2025 brought together painting, relief and sculpture with the Egyptian goddess Nut at its centre, whose body framed the portal entrance.
Tincuța Marin has spoken about the artists she admires, including Philip Guston, Balthus, Jean-Michel Basquiat, Picasso, Roger Ballen, Enzo Cucchi, Hannah Höch, Max Ernst, Edward Munch and, Hieronymus Bosch. She also references particular styles as favourites, including the Renaissance, Prehistoric art (cave drawings), German expressionism, abstract art, Transvanguardia and post-Impressionism.
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