I would say that all of my films are time-films, but the intensity of time and how we experience it is precisely what digital technology gave us. That's why I talk about speed in stillness. It's that kind of time.
Vietnamese-born [Trinh T. Minh-ha] is a writer, theorist, composer, and filmmaker whose practice, spanning some 30 years, is positioned within the fields of feminist and postcolonial studies.
The biennale is hoping audiences will grant them a do-over after the initial launch was marred by the ousting of curator Théo-Mario Coppola.