Press Release

Presented through a unique partnership between Te Tuhi, The Dowse Art Museum and the Office for Contemporary Art Aotearoa (OCAA), Shannon Te Ao’s work Ia rā, ia rā (rere runga, rere raro) - Everyday (I fly high, I fly low) represents Aotearoa New Zealand’s contribution to the 15th Gwangju Biennale Pavilion (2024).

This three channel video installation will be part of the Gwangju Biennale Pavilion, taking place alongside the Biennale’s curated exhibition, Pansori, a soundscape of the 21st century, by artistic director Nicolas Bourriard.

Te Ao’s moving image work features the tīwakawaka (fantail) as the protagonist. This small bird endemic to Aotearoa, is linked to Māori narratives associated with the concepts of birth and death; many stories tie it to the atua (gods), particularly to Māui.

The video captures two young men in motion. Alongside the synchronized thirty-six still images contained within this installation, a pao (song) composed and performed by Kurt Komene supplies the soundtrack. Komene’s lyrics, like the flowing actions of the performers, follow the tīwakawaka’s flight path.

Originally commissioned by the Queensland Art Gallery of Modern Art, this new iteration of Ia rā, ia rā (rere runga, rere raro) - Everyday (I fly high, I fly low), curated by Karl Chitham, allows the audience to immerse themselves within the imagery and soundscape.

Te Tuhi, The Dowse and OCAA would like to acknowledge Jenny and Andrew Smith, Jo and John Gow, Ambassador Dawn Bennet and the New Zealand Embassy team in Seoul, and the Gwangju Biennale Foundation for their generous support for this project.

Shannon Te Ao’s recent film and photographic works conflate markers of place, movement and experience. Often elegiac in tone, imagery within his work reflects upon personal narratives, historical events and collaboration as means to explore Māori thought and experience. Te Ao has exhibited widely nationally and internationally with his seminal work two shoots that stretch far out (2013–4) shown in the Biennale of Sydney in 2014, later earning him Aotearoa New Zealand’s most coveted award, the Walters Prize, in 2016. He has completed commissions for the 10th Asia Pacific Triennial of Contemporary Art (APT10) and 13th Gwangju Biennale. Te Ao recently presented solo exhibitions at REMAI Modern (Saskatoon); Oakville Galleries (Toronto), and Te Uru (Tamaki Makaurau Auckland), and curated the exhibition Matarau at City Gallery Wellington. Te Ao is a member of the rōpū (board) of Coastal Signs (Tāmaki Makaurau Auckland).

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About the Artist

Shannon Te Ao (Ngāti Tūwharetoa, Ngāti Wairangi, Te Pāpaka-a-Māui) is a New Zealand artist, writer, and curator whose elegiac video installations and performance-based works explore the intersections of indigeneity, language, and loss. Born in Sydney in 1978 and raised in Australia, Te Ao now lives and works in Te Whanganui-a-Tara Wellington, where he teaches at Whiti o Rehua School of Art, Massey University.

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Also Exhibiting at Te Tuhi

About the Gallery
Te Tuhi is a nationally significant contemporary art gallery presenting exhibitions and projects by New Zealand and international artists. Te Tuhi works actively within the community of Auckland, providing a conduit for audience engagement and participation in the visual arts, underpinned by innovative exhibitions, education and associated programmes. In addition, Te Tuhi serves as a focal point for the community as an events venue and meeting place for our many users and community groups.

Te Tuhi was created in a partnership between the Fisher Gallery and the Pakuranga Community and Cultural Centre, the latter formally a Manukau City Council facility.

The Fisher Gallery had been created in the early 1980s by a dedicated and energetic group of local art lovers, who had decided that the area, only recently subdivided for residential use, needed an arts venue. The Fisher Gallery took its name from the Fisher family, who farmed the area prior to its suburbanisation and Iris Fisher, who was an original member of the Pakuranga Arts Society and the driving force behind the effort to build the new institution.

The name Te Tuhi was generously conferred on the institution by the Ngai Tai Iwi. The name refers to the legend of the ancestor Manawatere, a Maori voyager and explorer who arrived in the Hauraki Gulf prior to the arrival of the Tainui waka. Landing at the beach at Howick's Cockle Bay, he made his tuhi, or mark, on a pohutukawa tree located on the foreshore, using karamea, a red ochre. This was his sign to those who would follow, that this was the place he had chosen: Te Tuhi a Manawatere. The tree still stands today, although the tuhi has since disappeared.

Te Tuhi is administered by the Te Tuhi Contemporary Art Trust in conjunction with the Contemporary Art Foundation.
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