Press Release

Shubigi Rao’s exhibition, Pulp III: A Short Biography of the Banished Book, takes the form of a book, film and paper maze, to explore the precarity and persistence of endangered languages, the futures of knowledge, public and alternative libraries, and the cosmopolitanism of regional print communities that have blossomed and waned in historic centres of print. Commissioned for the Singapore Pavilion at the 59th International Art Exhibition of the Venice Biennale, and curated by Ute Meta Bauer, Pulp III marks the midpoint of Shubigi Rao’s evocative 10-year project, Pulp, which explores the history of book destruction and those who persist in its margins to protect the futures of knowledge...

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About the Artist

Shubigi Rao (b. 1975, Mumbai, India) is a Singapore-based artist, writer, and filmmaker whose multidisciplinary practice examines the destruction and preservation of knowledge through books, libraries, archives, and the people who care for them.

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Also Exhibiting at Te Tuhi

About the Gallery
Te Tuhi is a nationally significant contemporary art gallery presenting exhibitions and projects by New Zealand and international artists. Te Tuhi works actively within the community of Auckland, providing a conduit for audience engagement and participation in the visual arts, underpinned by innovative exhibitions, education and associated programmes. In addition, Te Tuhi serves as a focal point for the community as an events venue and meeting place for our many users and community groups.

Te Tuhi was created in a partnership between the Fisher Gallery and the Pakuranga Community and Cultural Centre, the latter formally a Manukau City Council facility.

The Fisher Gallery had been created in the early 1980s by a dedicated and energetic group of local art lovers, who had decided that the area, only recently subdivided for residential use, needed an arts venue. The Fisher Gallery took its name from the Fisher family, who farmed the area prior to its suburbanisation and Iris Fisher, who was an original member of the Pakuranga Arts Society and the driving force behind the effort to build the new institution.

The name Te Tuhi was generously conferred on the institution by the Ngai Tai Iwi. The name refers to the legend of the ancestor Manawatere, a Maori voyager and explorer who arrived in the Hauraki Gulf prior to the arrival of the Tainui waka. Landing at the beach at Howick's Cockle Bay, he made his tuhi, or mark, on a pohutukawa tree located on the foreshore, using karamea, a red ochre. This was his sign to those who would follow, that this was the place he had chosen: Te Tuhi a Manawatere. The tree still stands today, although the tuhi has since disappeared.

Te Tuhi is administered by the Te Tuhi Contemporary Art Trust in conjunction with the Contemporary Art Foundation.
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Te Tuhi
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