Five New Zealand Artists Recognised in 2025 Laureate Awards
By Anna Dickie – 22 October 2025, Auckland

Artists Séraphine Pick, Kate Newby, Cheryl Lucas, Reuben Paterson, and Shona Rapira-Davies have been honoured by the Arts Foundation Te Tumu Toi Laureate Awards, alongside filmmaker Roseanne Liang, writer and musician Bill Direen, and composer Hall Cannon. Each 2025 Laureate will receive 50,000 NZD with no strings attached.

Established in 2000, the awards celebrate creative excellence within Aotearoa New Zealand’s arts scene, recognising cultural figures for exceptional achievement in their field, a world-class body of work, and a lasting contribution to Aotearoa’s culture and communities. Previous recipients of the award include leading actor Cliff Curtis, visual artists Yuki Kihara and Lisa Reihana, and directors Jane Campion and Taika Waititi.

Exhibition view: Séraphine Pick, Paintings, Michael Lett, Auckland (23 July–23 August 2025).

From top left to right: Kate Newby, Courtesy Arts Foundation Te Tumu Toi; Séraphine Pick, Photo: Joseph Pick; Cheryl Lucas, Photo: Sarah Rowlands Photography; Reuben Paterson, Photo: David Shields; and Shona Rapira-Davies, Photo: Stephen A Court.

Exhibition view: Séraphine Pick, Paintings, Michael Lett, Auckland (23 July–23 August 2025).

Exhibition view: Séraphine Pick, Paintings, Michael Lett, Auckland (23 July–23 August 2025). Courtesy the artist and Michael Lett.

Séraphine Pick: My ART Visual Arts Award

Painter Séraphine Pick is known for canvases that traverse memory, psychology, and abstraction. In her works, figures seem to drift through dreamlike environments. While her early practice emerged alongside the ‘Pencilcase painters’ (the Canterbury Ilam cohort of the 1980s and 1990s including Bill Hammond, Shane Cotton, and Peter Robinson) Pick’s work has followed its own trajectory, marked by psychological nuance and introspection. In Paintings, her recent exhibition at Michael Lett, Pick’s oil-on-linen works addressed anxieties shaped by the digital age. Frenetic brushwork and layered surfaces enveloped spectral, shifting silhouettes, conjuring atmospheres charged with psychological intensity.

Kate Newby, 

Kate Newby, Hours in wind (2024). Cast glass, hot-worked glass, bronze, salvaged rope. Commissioned by the Museum of Contemporary Art Australia with support from Lead Patrons Ginny and Leslie Green, 2024. © Courtesy the artist, Museum of Contemporary Art Australia and Fine Arts, Sydney. Photo: Zan Wimberley.

Kate Newby, 

Kate Newby, Hours in wind (2024) (detail). Cast glass, hot-worked glass, bronze, salvaged rope. Commissioned by the Museum of Contemporary Art Australia with support from Lead Patrons Ginny and Leslie Green, 2024. © Courtesy the artist, Museum of Contemporary Art Australia and Fine Arts, Sydney. Photo: Zan Wimberley.

Kate Newby, 

Kate Newby, Hours in wind (2024) (detail). Cast glass, hot-worked glass, bronze, salvaged rope. Commissioned by the Museum of Contemporary Art Australia with support from Lead Patrons Ginny and Leslie Green, 2024. © Courtesy the artist, Museum of Contemporary Art Australia and Fine Arts, Sydney. Photo: Zan Wimberley.

Kate Newby, Hours in wind (2024) (detail). Cast glass, hot-worked glass, bronze, salvaged rope. Commissioned by the Museum of Contemporary Art Australia with support from Lead Patrons Ginny and Leslie Green, 2024.

Kate Newby, Hours in wind (2024) (detail). Cast glass, hot-worked glass, bronze, salvaged rope. Commissioned by the Museum of Contemporary Art Australia with support from Lead Patrons Ginny and Leslie Green, 2024. © Courtesy the artist, Museum of Contemporary Art Australia and Fine Arts, Sydney. Photo: Zan Wimberley.

Kate Newby: Gow Family Foundation Sculpture Award

Based between Floresville, Texas, and New Zealand, Kate Newby is celebrated for subtle, site-responsive installations that elevate everyday spaces. Her growing international profile includes a residency at the Chinati Foundation in Marfa in 2017, recent presentations at the Sharjah Biennale and Sydney’s Museum of Contemporary Art Australia, and a 76-foot ceramic and glass mural commissioned for Portland International Airport. Newby’s practice gently disrupts viewers’ expectations, using everyday materials—ceramics, textiles, metal, glass—to generate often fleeting experiences that encourage fresh engagement with site and place. Her work is currently on view at Art Basel Paris with Galerie Art Concept.

Cheryl Lucas,

Cheryl Lucas, Royal Muntin Ware Ref. No. 6.3/2011 (2011–2012) (detail). Ceramic. Collection of Christchurch Art Gallery Te Puna o Waiwhetū.

Cheryl Lucas, Skin Fence (2021) (detail). Ceramic.

Cheryl Lucas, Skin Fence (2021) (detail). Ceramic. Courtesy The National and McLeavey Gallery.

Cheryl Lucas: Female Arts Practitioner Award

The hand-built, architectonic ceramics of Cheryl Lucas are marked by experimental glazing and rugged, totemic form. Recent series such as ‘Skin Fence’, presented at Christchurch Art Gallery in the artist major 2022 solo exhibition, Shaped by Schist, reference post-disaster landscapes and domestic resilience in the face of destruction. Following her home city of Christchurch’s 2011 earthquakes, Lucas paused her studio work to fabricate large ceramic chimney pots for the city’s heritage rebuilds—a contribution that underscores her materially engaged and community-embedded approach.

Reuben Paterson,

Reuben Paterson, Guide Kaiārahi (2021). Stainless steel, transparent acrylic and glass. Commissioned by Auckland Art Gallery Toi o Tāmaki, owned and generously supported by the Edmiston Trust. Photo: Jos Wheeler.

Reuben Paterson,

Reuben Paterson, Guide Kaiārahi (2021) (detail). Stainless steel, transparent acrylic and glass. Commissioned by Auckland Art Gallery Toi o Tāmaki, owned and generously supported by the Edmiston Trust. Photo: Jos Wheeler.

Reuben Paterson,

Reuben Paterson, Guide Kaiārahi (2021) (detail). Stainless steel, transparent acrylic and glass. Commissioned by Auckland Art Gallery Toi o Tāmaki, owned and generously supported by the Edmiston Trust. Photo: Jos Wheeler.

Reuben Paterson,

Reuben Paterson, Guide Kaiārahi (2021) (detail). Stainless steel, transparent acrylic and glass. Commissioned by Auckland Art Gallery Toi o Tāmaki, owned and generously supported by the Edmiston Trust. Photo: Jos Wheeler.

Reuben Paterson, Guide Kaiārahi (2021) (detail). Stainless steel, transparent acrylic and glass. Commissioned by Auckland Art Gallery Toi o Tāmaki, owned and generously supported by the Edmiston Trust. 

Reuben Paterson, Guide Kaiārahi (2021) (detail). Stainless steel, transparent acrylic and glass. Commissioned by Auckland Art Gallery Toi o Tāmaki, owned and generously supported by the Edmiston Trust. Photo: Jos Wheeler.

Reuben Paterson: Toi Kō Iriiri Queer Arts Award

Reuben Paterson is known for his exuberant use of glitter and colour in works that draw on subjects ranging from pop culture and flora to queer identity and Māori stories. Among his notable commissions is Guide Kaiārahi (2021), a ten-metre crystal waka commissioned by the Edmiston Trust, which now resides at the entrance to Auckland Art Gallery Toi o Tāmaki. Paterson’s practice spans painting, public sculpture, and video, marked by an emphasis on light, spirituality, and communal memory. In 2023, he was the subject of The Only Dream Left, a major retrospective at City Gallery Wellington Te Whare Toi, and most recently, his work was featured at High Noon Gallery, New York, in the exhibition INCARNA (2 July–9 August 2025).

Shona Rapira-Davies,

Shona Rapira-Davies, Te Wai Mapihi | Te Aro Park (1992). Sculpture at Te Aro, Wellington, Aotearoa, New Zealand. Painter: Kura Te Waru Rewiri. Photo : Stephen A’Court.

Shona Rapira-Davies,

Shona Rapira-Davies, Te Wai Mapihi | Te Aro Park (1992) (detail). Sculpture at Te Aro, Wellington, Aotearoa, New Zealand. Painter: Kura Te Waru Rewiri. Photo : Stephen A’Court.

Shona Rapira-Davies,

Shona Rapira-Davies, Te Wai Mapihi | Te Aro Park (1992) (detail). Sculpture at Te Aro, Wellington, Aotearoa, New Zealand. Painter: Kura Te Waru Rewiri. Photo : Stephen A’Court.

Shona Rapira-Davies,

Shona Rapira-Davies, Te Wai Mapihi | Te Aro Park (1992) (detail). Sculpture at Te Aro, Wellington, Aotearoa, New Zealand. Painter: Kura Te Waru Rewiri. Photo : Stephen A’Court.

Shona Rapira-Davies, Te Wai Mapihi | Te Aro Park (1992) (detail). Sculpture at Te Aro, Wellington, Aotearoa, New Zealand. Painter: Kura Te Waru Rewiri. Photo : Stephen A’Court.

Shona Rapira-Davies, Te Wai Mapihi | Te Aro Park (1992) (detail). Sculpture at Te Aro, Wellington, Aotearoa, New Zealand. Painter: Kura Te Waru Rewiri. Photo : Stephen A’Court.

Shona Rapira-Davies: Te Moana-nui-a-Kiwa Award

Shona Rapira-Davies has been recognised for her sustained exploration of Māori womanhood, postcolonial identity, and social justice. Her large-scale public work, Ngā Kākahu (1992), is located in Wellington’s Te Aro Park and foregrounds the history of the land upon which the work resides, reflective of its maker’s long arc of community advocacy through materials and form. Rapira-Davies’ practice has influenced the shape of Māori art discourse in New Zealand for more than three decades. —[O]

Main image: The 2025 Laureate artists. Left to right: Shona Rapira-Davies, Cheryl Lucas, Bill Direen, Séraphine Pick, Reuben Paterson, Roseanne Liang. Courtesy the Arts Foundation Te Tumu Toi.

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