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Bartley + Company Art

Artworks Exhibited

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Is anyone home? by Lonnie Hutchinson contemporary artwork
Lonnie HutchinsonIs anyone home?, 2018builders paper
120 x 80 cm
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The Painted Lady, Rhododendron (Rhododendron sp.) by Ann Shelton contemporary artwork
Ann SheltonThe Painted Lady, Rhododendron (Rhododendron sp.), 2016pigment print
112 x 84 cm
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Blue Skies by Hamish Coleman contemporary artwork
Hamish ColemanBlue Skies, 2018oil on linen
137 x 120 cm
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Untitled by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithUntitled, 2017acrylic on canvas
51 x 56.5 cm
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Micro Soft by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithMicro Soft, 2016acrylic on canvas
30 x 30 cm
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Memphis by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithMemphis, 2016acrylic on canvas
122 x 112 cm
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Entry Point by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithEntry Point, 2017acrylic on canvas
46 x 46 cm
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Drain by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithDrain, 2017acrylic on canvas
51 x 56.5 cm
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Brush by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithBrush, 2017acrylic on canvas
31 x 31 cm
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Blunt Exploration by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithBlunt Exploration, 2017acrylic on canvas
122 x 112 cm
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Alter & Repair by Catherine Clayton-Smith contemporary artwork
Catherine Clayton-SmithAlter & Repair, 2017acrylic on canvas
112 x 122 cm
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Waimakariri River (Attwood, Oppenheim) by Kate Woods contemporary artwork
Kate WoodsWaimakariri River (Attwood, Oppenheim), 2018type C print
65.4 x 49.8 cm
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The Crystal Land by Kate Woods contemporary artwork
Kate WoodsThe Crystal Land, 2018type C print
37.5 x 49.8 cm
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Akaroa 2 by Roger Mortimer contemporary artwork
Roger MortimerAkaroa 2, 2018watercolour, gold dust and acrylic lacquer on canvas
70 x 80 cm
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Pelorus by Roger Mortimer contemporary artwork
Roger MortimerPelorus, 2018watercolour, gold dust and acrylic lacquer on canvas
60 x 70 cm
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Neither of Us Remain by Hamish Coleman contemporary artwork
Hamish ColemanNeither of Us Remain, 2016oil on linen
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Fogging by Hamish Coleman contemporary artwork
Hamish ColemanFogging, 2017oil on linen
45.5 x 45.5 cm
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The Kept Woman, Aloe (Aloe sp.) by Ann Shelton contemporary artwork
Ann SheltonThe Kept Woman, Aloe (Aloe sp.), 2015-16pigment print
112 x 84 cm
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The Kraken by Joyce Campbell contemporary artwork
Joyce CampbellThe Kraken, 2016digital photograph from video on Hahnemühle paper
25 x 114 x 3.5 cm (incl frame)
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Ghostnets by Joyce Campbell contemporary artwork
Joyce CampbellGhostnets, 2016digital photograph from video on Hahnemühle paper
25 x 114 x 3.5 cm (incl frame)
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Mobius by Joyce Campbell contemporary artwork
Joyce CampbellMobius, 2016digital photograph from video on Hahnemühle paper
25 x 114 x 3.5 cm (incl frame)
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There is no beginning or end it will repeat by Mary-Louise Browne contemporary artwork
Mary-Louise BrowneThere is no beginning or end it will repeat, 2016sandblasted text on onyx and gold leaf
30 x 40 x 2 cm
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This will not usurp and displace memory by Mary-Louise Browne contemporary artwork
Mary-Louise BrowneThis will not usurp and displace memory, 2016sandblasted text on onyx and gold leaf
30 x 40 x 2 cm
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This Does Not Resort To Illusion by Mary-Louise Browne contemporary artwork
Mary-Louise BrowneThis Does Not Resort To Illusion, 2014sandblasted black-silvered mirror
70 x 50 cm
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Sarah Cottier Gallery

Artworks Exhibited

Gallery Info
Harping on about structural unity and the law of vegetative bending by Jonny Niesche contemporary artwork
Jonny NiescheHarping on about structural unity and the law of vegetative bending, 2018Polished brass
138.7 x 119.5 x 7.6 cm
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Ornamentation is as vast as the world by Jonny Niesche contemporary artwork
Jonny NiescheOrnamentation is as vast as the world, 2018Dye-sublimation print on polyester voile, acrylic mirror
85.5 x 141 x 4.6 cm
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Accentuate with colour the places to be kissed by Jonny Niesche contemporary artwork
Jonny NiescheAccentuate with colour the places to be kissed, 2018Dye-sublimation print on polyester voile, acrylic mirror
85.5 x 141 x 4.1 cm
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We refer to a thing and still have no name for the smell by Jonny Niesche contemporary artwork
Jonny NiescheWe refer to a thing and still have no name for the smell, 2018Dye-sublimation print on polyester voile, acrylic mirror
85.5 x 141 x 4.1 cm
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When the universe widens the countryside returns by Jonny Niesche contemporary artwork
Jonny NiescheWhen the universe widens the countryside returns, 2018dye-sublimation print on polyester voile, acrylic mirror
85.5 x 141 x 4.6 cm
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Drifting over lovers in clouds and signs by Jonny Niesche contemporary artwork
Jonny NiescheDrifting over lovers in clouds and signs, 2018dye-sublimation print on polyester voile, acrylic mirror
85.5 x 141 x 4.6 cm
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Where the body and the world comingle by Jonny Niesche contemporary artwork
Jonny NiescheWhere the body and the world comingle, 2018Dye-sublimation print on polyester voile, acrylic mirror
85.5 x 141 x 4.6 cm
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Avon Calling by Jonny Niesche contemporary artwork
Jonny NiescheAvon Calling, 2018Dye-sublimation print on polyester voile, acrylic mirror
171 x 143 x 4.6 cm
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Gow Langsford Gallery

Artworks Exhibited

Gallery Info
Listeners by Tony Cragg contemporary artwork
Tony CraggListeners, 2015Bronze
59 x 45 x 45 cm
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Tempest by Tony Cragg contemporary artwork
Tony CraggTempest, 2017Stone (Statuario)
115 x 73 x 52 cm
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Woman's Head by Tony Cragg contemporary artwork
Tony CraggWoman's Head, 2007Bronze
87 x 60 x 50 cm
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Wild Relatives by Tony Cragg contemporary artwork
Tony CraggWild Relatives, 2012Bronze
104 x 78 x 79 cm
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Spring by Tony Cragg contemporary artwork
Tony CraggSpring, 2016Wood
280 x 228 x 65 cm
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Elliptical Column by Tony Cragg contemporary artwork
Tony CraggElliptical Column, 2016Corten Steel
225 x 86 x 69 cm
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Sometimes its best to pass the guitar around by John Pule contemporary artwork
John PuleSometimes its best to pass the guitar around, 2018oils, enamels, inks and polyurethane on canvas
50 x 50 cm
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Vaha (I come from here) by John Pule contemporary artwork
John PuleVaha (I come from here), 2017oils, enamels, inks and polyurethane on canvas
50 x 50 cm
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Malilili by John Pule contemporary artwork
John PuleMalilili, 2017Oils, enamels, inks and polyurethane on canvas
50 x 50 cm
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Find somewhere to sit Enjoy the day by John Pule contemporary artwork
John PuleFind somewhere to sit Enjoy the day, 2017Oils, enamels, inks and polyurethane on canvas
50 x 50 cm
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Carry the bike across by John Pule contemporary artwork
John PuleCarry the bike across, 2017Oils, enamels, inks and polyurethane on canvas
50 x 50 cm
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A better world by John Pule contemporary artwork
John PuleA better world, 2017Oils, enamels, inks and polyurethane on canvas
50 x 50 cm
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He regularly, monthly used to have different men come measure up to obtain quotes for a new kitchen by Dale Frank contemporary artwork
Dale FrankHe regularly, monthly used to have different men come measure up to obtain quotes for a new kitchen, 2018Tinted varnish and Epoxyglass on Perspex
120 x 200 cm
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When they lived in South Africa they had a black kitchen maid they called Elspeth by Dale Frank contemporary artwork
Dale FrankWhen they lived in South Africa they had a black kitchen maid they called Elspeth, 2017Tinted varnish and Epoxyglass on Perspex
160 x 120 cm
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Her husband started to star in gay porn movies just to bring in a bit of extra cash by Dale Frank contemporary artwork
Dale FrankHer husband started to star in gay porn movies just to bring in a bit of extra cash, 2017Spray enamel and glitter in Epoxyglass on Perspex
160 x 120 cm
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At first he thought it was just a heat rash by Dale Frank contemporary artwork
Dale FrankAt first he thought it was just a heat rash, 2017Dyed hair wigs on Perspex
160 x 120 cm
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The local boys always went the 14 kilometres to Greta Bowling Club on a Friday night to lose their virginity by Dale Frank contemporary artwork
Dale FrankThe local boys always went the 14 kilometres to Greta Bowling Club on a Friday night to lose their virginity, 2016Cut glass Swarovski crystals in Epoxyglass on Perspex
160 x 120 cm
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Martin Browne Contemporary

Artworks Exhibited

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princess by Troy Emery contemporary artwork
Troy Emeryprincess, 2018Oil on canvas
45 x 50 cm
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Untitled 20180401 by Tim Maguire contemporary artwork
Tim MaguireUntitled 20180401, 2018Oil on canvas
153 x 153 cm
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Hole in Paradise by Kevin Chin contemporary artwork
Kevin ChinHole in Paradise, 2017Oil on linen
183 x 147 cm
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Deep Blue by Ildiko Kovacs contemporary artwork
Ildiko KovacsDeep Blue, 2017Oil on plywood
180 x 122 cm
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to hear you cast a spell so sweet by Fiona Lowry contemporary artwork
Fiona Lowryto hear you cast a spell so sweet, 2017Acrylic on canvas
167.5 x 122 cm
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Jonathan Smart Gallery

Artworks Exhibited

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Net by Julia Morison contemporary artwork
Julia MorisonNet, 2011Lithograph (Muka),
76 x 56 cm
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Omnium Gatherum 40 by Julia Morison contemporary artwork
Julia MorisonOmnium Gatherum 40, 2017Acrylic and varnish on PVC board
90 x 60 cm
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Omnium Gatherum 39 by Julia Morison contemporary artwork
Julia MorisonOmnium Gatherum 39, 2017Acrylic and varnish on PVC board
90 x 60 cm
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Omnium Gatherum 42 by Julia Morison contemporary artwork
Julia MorisonOmnium Gatherum 42, 2017Acrylic and varnish on PVC board
90 x 60 cm
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Omnium Gatherum 41 by Julia Morison contemporary artwork
Julia MorisonOmnium Gatherum 41, 2017Acrylic and varnish on PVC board
90 x 60 cm
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Headcase 82 by Julia Morison contemporary artwork
Julia MorisonHeadcase 82, 2018porcelain, fake hair, horse hair, bristles
50 x 12.5 x 12.5 cm
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Headcase 81 by Julia Morison contemporary artwork
Julia MorisonHeadcase 81, 2018porcelain, fake hair, horse hair, bristles
50 x 12.5 x 12.5 cm
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Headcase 80 by Julia Morison contemporary artwork
Julia MorisonHeadcase 80, 2018porcelain, fake hair, horse hair, bristles
50 x 12.5 x 12.5 cm
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Headcase 79 by Julia Morison contemporary artwork
Julia MorisonHeadcase 79, 2018porcelain, fake hair, horse hair, bristles
50 x 12.5 x 12.5 cm
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