Chloe Wise is a Canadian contemporary artist known for her satirical, hyperrealist artworks that explore identity, consumer culture, wellness, and the performative absurdities of modern life.
Chloe Wise was born in Montreal in 1990. She studied Fine Arts at Concordia University, graduating with a BFA in 2013 before relocating to New York City, where she continues to live and work. Wise’s formative years in Canada and her immersion in the digital and fashion-savvy art scene of New York laid the foundation for her multifaceted practice. Her Jewish heritage, cultural critique, and feminist sensibility are recurrent themes throughout her body of work.
Wise is best known for her glossy, highly detailed paintings and surreal sculptures that dissect the aesthetics and rituals of contemporary life with wit and irony. Her practice spans painting, sculpture, video, and installation, offering a sharp, humorous reflection on the intersections of art, branding, and desire.
Wise rose to prominence with her sculptural series of hyperrealistic bread bags—life-sized replicas of challah, baguettes, bagels, and other baked goods adorned with luxury designer labels like Chanel, Prada, and Louis Vuitton. These sculptures, such as Bagel No. 5 (2014), blur the boundary between art and fashion, parodying the social currency of brand allegiance and the absurdity of commodity fetishism. What began as a tongue-in-cheek accessory to a friend’s outfit evolved into a viral commentary on status and consumption. These works established Wise’s early voice as an artist using humour, food, and fabrication to probe the psychology of desire and the artificial nature of value.
Wise’s painted portraits—often depicting friends in artfully cluttered interiors—exude theatricality, sensuality, and self-awareness. Inspired by Renaissance composition and Baroque light, these technically sophisticated paintings are laden with contemporary signifiers: organic produce, self-help books, skincare products, and screens. In Thank You for the Nice Fire (2020), a group lounges amid curated chaos, referencing both leisure and alienation. These paintings don’t just mock—they sensitively chart the existential weight of trying to be someone in a performative world. Her use of friends as models creates intimacy while also critiquing the flattening of identity into aesthetic. Wise’s canvases invite reflection on the gap between constructed persona and inner life.
Wise’s paintings are defined by their polished surfaces, stylised figuration, and richly symbolic mise-en-scène. Fusing Old Master techniques with digital-age aesthetics, her works highlight the paradoxes of authenticity, self-image, and consumption. Figures appear caught mid-performance, surrounded by props that hint at both aspirational living and psychological fragility—kombucha bottles, fruit platters, bathrobes, and unread books. These details function as both personal inventory and cultural satire. The emotional tone is deliberately unstable: vulnerable yet composed, seductive yet absurd. Whether staged as dinner parties, spa rituals or intimate snapshots, Wise’s painted scenes reflect a world of curated experiences where emotional expression, like beauty, is a rehearsed and aestheticised form.
Chloe Wise has been the subject of both solo exhibitions and group exhibitions at important institutions. A selection of important exhibitions are provided below.
Chloe Wise’s Instagram can be found here.
Chloe Wise’s practice has been widely discussed in international media and contemporary art platforms. Notable coverage includes features in Artsy, emergent magazine, and Interview Magazine. Speaking to Ocula Magazine on her 2024 exhibition in Brussels, Wise explains: ‘It’s for the lizard people. Representation for lizard people everywhere.’
Chloe Wise is best known for her iconic sculptural bread‑bag works and richly detailed oil paintings, which merge humour, food imagery, and luxury branding to critique materialism and identity. Her early breakthrough piece, Bagel No. 5 (2014)—a cream‑cheese bagel emblazoned with the Chanel logo—instantly became emblematic of her conceptual wit. In subsequent years, her paintings expanded her reputation through stylised depictions of friends in hyper‑curated domestic interiors. Collectively, these works position Wise as a cultural commentator employing playful absurdity to expose consumer culture’s contradictions.
Wise explores themes of authenticity versus performance in identity, critiquing consumer culture and the symbolic power of brand fetishism. She addresses the rituals of self‑care, emotional labour, gender roles, and the commodification of vulnerability. Humor and irony permeate her work: objects like designer bread and wellness products become visual metaphors for longing and self‑presentation. Whether sculptural or painted, her art questions how social media, branding, and the wellness industry shape our understanding of self‑worth, desire, and interpersonal connection.
Chloe Wise’s work is represented by global galleries including Almine Rech Gallery in New York, London, and Paris. You can see her solo exhibitions such as Thank You for the Nice Fire (2022, New York), Not That We Don’t (2023, London) and Of Course You’re Happy (The Jewish Museum, New York, 2021). Her pieces also appear in group shows at institutions like the De Young Museum (San Francisco), the Pérez Art Museum Miami, and the Modern Art Museum of Fort Worth. Additionally, Wise’s works feature in major art fairs and biennials.
Ocula | 2025

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