
Keiichi Tanaami was born in Tokyo in 1936 and graduated from Musashino Art University. An artist of another breed, he has been active in graphic design, illustration, and fine arts since the 1960s, never heeding the boundaries of mediums or genres but instead aggressively traversing them. Though his spectacular debut as a designer during his student days is well known, few know that during that same time he was tirelessly creating works of fine art as well, exhibiting at the Yomiuri Independent exhibition and holding a solo show at the Tsubaki-Kindai Gallery. Following his graduation in the mid-’ 60s, he was baptised, so to say, by psychedelic culture and pop art and he broadened his range of work to include animation, silkscreen, cartoon-like illustration, collage, experimental film, painting, and sculpture, which he continues to this day. He was particularly inspired by the experience of meeting Andy Warhol in the ‘60s, and to this day utilises the design technique of compilation as he takes on experimental approaches in challenging the dominant problems that exist within the contemporary art world such as art and design, art and product, and the relationship between the everyday and the beautiful.
Tanaami’s recent major exhibitions include solo exhibition Keiichi Tanaami - In Cooperation with Fumetto Comic Festival Luzern (2019, Kunstmuseum, Luzern), and group exhibitions International Pop (2015–2016, traveled to:Walker Art Center, Minneapolis / Dallas Museum of Art, Dallas), The World Goes Pop (2015, Tate Modern, London), Unorthodox (2015–2016, The Jewish Museum, New York), Passion: Fan Behavior and Art (2015-2016, traveled to: Künstlerhaus Bethanien, Berlin / Kunsthaus Nürnberg, Nürnberg / Ludwig Museum - Museum of Contemporary Art, Budapest), MYSTIFIERS (2016, National Centre for Contemporary Arts, Moscow), More Than Cinema (2020, Pioneer Works, New York), etc.
Furthermore in recent years, many of the world’ s renown museums have made decisions to add Tanaami’ s works to their collections, including MoMA (New York), Walker Art Center (Minneapolis), The Art Institute of Chicago, M+(Hong Kong), National Portrait Gallery (Washington) and Nationalgalerie im Hamburger Bahnhof (Berlin).










Almine Rech opened its doors on April 1st, 1997 in the 13th arrondissement in Paris. The gallery was founded on an axis of California Minimal, Perceptual art and Conceptual art, representing artists such as James Turrell, John McCracken and Joseph Kosuth.

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