
The city exists and it has a simple secret: it knows only departures, not returns.
– Italo Calvino, Invisible Cities, 1972
Chaouki Choukini is best known for his sculptures in which the Lebanese-born Paris-based artist plays with light and space, which are also evident in Choukini’s delicate watercolour works presented here for the first time. Shimmering visions of desert cityscapes are revealed through the haze, drawing on music, memories of places, remote villages and the vast desert itself. Here, light does not peak through folds of wood, rather, each creation is bathed in it. While the shapes – a confluence of cubes and blocks that comprise his citadelles – are familiar. Here, in contrast to the strength of wood, we see delicate watercolours, blurry shapes, applied and erased, making us squint to see it through the fog of memory. They evoke shimmering translucent cities, hovering on the edge of a mirage, slowly revealing themselves to us through layers of swirling sand storms and cloud, unfurling themselves on the page before coming to life in front of our eyes. They are extraordinary visions, places existing within the artist’s memory – part constructivist patchwork, part living being, part elusive dream.
Born in 1946 in Choukine, Lebanon, Chaouki Choukini received his degree from the Ecole Nationale Supérieure des Beaux-arts de Paris in 1972. He was awarded the Prix de la Jeune Sculpture in 1978, followed by the Taylor Foundation Prize in 2010, and the Prix de la Fondation Pierre Gianadda, from de l’Academie des Beaux Arts, France in 2015.
Choukini has participated in various solo and group exhibitions including: The Rain Forever Will Be Made of Bullets, Sharjah Art Foundation, Sharjah, UAE (2021); Choukini: 10 Recent Sculptures, Espace Claude Lemand, Paris, France (2020); Chaouki Choukini, Green Art Gallery, Dubai, UAE (2019); Le monde arabe vu par ses artistes, Institut du Monde Arabe, Paris, France (2018); Beloved Bodies, Barjeel Art Foundation, Sharjah, UAE (2017); Poetry in Wood, Green Art Gallery, Dubai, UAE, (2016), amongst others.
His works are in several important collections including Centre Pompidou, Paris, France; Musee d’Art Contemporain de Val-de-Marne, France; Institut du Monde Arabe, France; Mathaf, Arab Museum of Modern Art, Doha; Centre National des Arts Plastique, France; Barjeel Art Foundation, Sharjah, UAE; and Sharjah Art Foundation, Sharjah, UAE.
Since the late 1960s, Chaouki Choukini has developed an astoundingly consistent aesthetic worldview. His sculptural works, mainly in wood but occasionally in marble or stone, range from horizontal Lieux and Paysages to upright, anthropomorphic, almost totemic figures. At first glance, the works may appear somewhat primitivist. A closer look, however, reveals a sophisticated interrogation of organic and mechanical worlds, where curvaceous mounds are punctuated by a regiment of pegs, or undulating bases bristle with teeth-like crags. Discursively, Choukini layers an eerie latency into his works: mazes of slits, recesses, and multi-level cavities evoke some vanished human presence on the tense horizon line; the ubiquitous “cord” is a taut yet silent marker of dormant sound.
Green Art Gallery is a contemporary art space featuring a multi-generational mix of artists whose practices are rigorously researched, idea-led, and representative of our current moment. The gallery now represents a multi-generational mix of artists from the Middle East, North Africa, South Asia and beyond, including Turkish artists Hale Tenger and Hera Büyüktaşcıyan; Iranian artists Kamrooz Aram and Nazgol Ansarinia; and Shadi Habib Allah, Seher Shah, and Alessandro Balteo-Yazbeck, who are Palestinian, Pakistani and Venezuelan respectively. In this geographic mix, the gallery reflects Dubai’s position as a cosmopolitan—as well as artistic—entrepôt, even as it boasts of a strong parallel Arab Modernist program.

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