
Deseo, deseo, the upcoming solo exhibition by Pia Camil at OMR, explores desire as a rebellious and liminal force: an erotic impulse that defies precise definitions and seeks to reconnect artistic practice with the inherent pleasure of creative expression.
Audre Lorde defines the erotic as “a measure between the beginnings of our sense of self and the chaos of our strongest feelings. It is an internal sense of satisfaction to which once we have experienced it, we know we can aspire”. She also asserts, “when I speak of the erotic, then, I speak of it as an assertion of the life force of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.”1
Stripped of the patriarchal gaze, the erotic becomes a powerful force that not only sustains and generates life but also serves as a bridge between the social, political, and spiritual. However, this force is continuously threatened by heteronormative and capitalist systems that attempt to reduce the erotic to the purely pornographic and carnal.
Deseo, deseo is a site-specific project that transforms the gallery into a universe where raw and explicit paintings of female bodies are lit directly. The black-painted walls, crossed by a galactic graffiti mural, generate an immersive atmosphere that suggests the expansive and infinite possibilities of desire and creation.
Pia Camil’s artistic development is rooted in painting—a discipline that, starting at the age of 14, led her to an interest in representing the human body through her early life drawing classes. In this exhibition, her first solo show dedicated to canvas painting, Camil revisits that foundation from a critical and spiritual perspective, questioning and reconfiguring traditional approaches to painting in order to explore the body, a topic always present in her work, through the erotic.
Deseo, deseo is also an autobiographical exhibition where Camil reflects on processes of personal reconstruction, using painting as a medium to reconnect with life and desire through art. By addressing the erotic from a personal angle, the artist builds a narrative that challenges imposed limitations, opening up space for a creative act that overflows both the intimate and the collective.
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Courtesy of OMR, Mexico City.
Pia Camil was born in 1980 in Mexico City, where she continues to live and work. Her work has been shown in Mexico, Colombia, France and the U.S. Camil received her Bachelor’s of Fine Arts from The Rhode Island School of Design in 2003 and her Master’s of Fine Arts from The Slade School of Fine Art in 2008. In 2009, she formed El Resplandor, a performance-based band. She has received awards including the European Honors Program, Palazzo Cenci, Rome, Italy in 2001 and she was nominated for The Paul Hamlyn Award, London in 2008. Camil’s work is in the permanent collection of La Colección Jumex, la Colección Patricia Phelps de Cisneros and the Wattis Museum amongst others. Her solo exhibitions include The little dog laughed at Blum and Poe, Los Angeles, Entrecortinas: abre, jala, corre at OMR Gallery, Mexico City, Espectacular Telón at Sultana Gallery, Paris, and Cuadrado Negro at the Basque museum-center of contemporary art in Spain.


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