
Perrotin Paris is pleased to present the gallery’s fifth solo exhibition with artist Matthew Ronay, Thirteen Forms, on view from June 5-July 26, 2025. The presentation brings together ten sculptures and three wall reliefs that continue Ronay’s exploration of the subconscious through his ability to transform the intangible into tactile experience. Ronay’s sculptural works evoke a phantom familiarity, as if plucked from the shadowy recesses of a fevered dream. Erotic undertones and a perverse alchemy of form pulse through Ronay’s objects, which are characterized by subversive humor. Central to the exhibition are two monumental horizontal installations, a polychrome work (The Tombs Are Upset, 2023) and, for the first time, a black monochrome (Contraband Emulator, 2024). Each appears as a kind of cursive script of forms, an approach first employed in Ronay’s 2022 exhibition at the Nasher Sculpture Center in Dallas, Texas.
New York-based artist Matthew Ronay creates hybrid forms that exist between a primordial and futuristic state, which seek to explore ritualistic habits and the relationship between human bodies and the world we inhabit. His hand-crafted, colourful configurations embody our corporeal struggle, reminding us of the power of objects beyond material culture and mass production.
Emmanuel Perrotin founded his first gallery in 1989 at the age of 21. He has opened since then over 17 different spaces, with the aim of continuing to offer increasingly vibrant and creative environments to experience artists work. He has worked closely with his roster of artists, some since more than 25 years, to help fulfil their ambitious dreams and projects.

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