Tschabalala Self builds a singular style from the syncretic use of both painting and printmaking to explore ideas about the black female body. The artist constructs exaggerated depictions of female bodies using a combination of sewn, printed, and painted materials, traversing different artistic and craft traditions. The exaggerated biological characteristics of her figures reflect Self's own experiences and cultural attitudes toward race and gender. 'The fantasies and attitudes surrounding the Black female body are both accepted and rejected within my practice, and through this disorientation, new possibilities arise,' Self has said. 'I am attempting to provide alternative, and perhaps fictional, explanations for the voyeuristic tendencies towards the gendered and racialised body; a body which is both exalted and abject.'Read More
Tschabalala Self (B.1990 Harlem, USA) lives and works in New York and New Haven. Current and recent exhibitions include: Bodega Run, Hammer Museum, Los Angeles (2019); Tschabalala Self, Frye Art Museum, Seattle (2019); Bodega Run, Yuz Museum, Shanghai (2018); The Beyond: Georgia O'Keeffe and Contemporary Art, Crystal Bridges Museum of American Art, Bentonville (2018); Bodega Run, Pilar Corrias Gallery, London (2017); Trigger: Gender as a Tool and a Weapon, New Museum, New York (2017); Tschabalala Self, Tramway, Glasgow (2017); Tschabalala Self, Parasol Unit Foundation for Contemporary Art, London (2017); Desire, Moore Building, Miami (2016); The Function, T293, Naples (2016); A Constellation, Studio Museum Harlem, Harlem (2015); Tropicana, The Cabin, Los Angeles (2015).
Self was an Artist in Residence at Studio Museum in Harlem, New York (2018–2019).
Text courtesy Pilar Corrias.
Tschabalala Self discusses her representations of Black bodies as sites of multiplicity.
A portrait by the artist from Ghana obliterated estimates in London last week.
The third highest price fetched by Hockney at auction contributed to over US $500 million in sales.
If you're just finding out about the artist Tschabalala Self—who, at 29, already has already established both industry cred and a cult following—it's more likely than not a little late for you to acquire some of her work for yourself.
SEATTLE — Scraps of bright turquoise, yellow, and salmon fabric encircle a swatch of denim imprinted with a building's image; this delineates a figure's thigh. It is part of up Bellyphat (2016), a textile-and-paint collage by artist Tschabalala Self. Elsewhere in the work, black, pink, and rosewood fabric swatches define the figure's face...
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