Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...
In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...
'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...
Victoria Miro is delighted to present Chimney school of sculpture, an exhibition of new work by the Copenhagen-based artist Tal R.
Tal R has often used the word '
The lower gallery will be populated by a disparate collection of ceramic, creature-like sculptures. Tal R has employed a process of Raku firing, an ancient technique which originated in sixteenth-century Japan. The process produces notoriously unpredictable results - the clay's surface is blackened or whitened according to the intensity of its exposure to the smoke and is liable to crack or even explode, a volatility that has drawn the artist to the material.
Alongside the Raku sculptures will be a number of minimalist sculptures of fabric-covered wood. These larger-than-life flumes, with candy-cane stripes and built-in air vents, call to mind to the industrial chimney. However, these works are divorced from any functioning system.
Tal R is also known for producing unique, hand-made sofas, or '
The upstairs floor of the gallery space will be taken up with a self-contained corridor structure stretched over with canvas material. Within it are paintings and works on paper, all depicting a closed blind. Repeated across the walls of an enclosed space, this representation of shuttered vision conveys a visceral sense of interiority and positions the viewer in an ambiguous space that is neither inside nor outside.
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