(1924 – 2013), United Kingdom

Anthony Caro Biography

Sir Anthony Alfred Caro OM CBE was a British Modernist sculptor. His work is characterised by unique assemblages of found industrial materials. Educated at Charterhouse School, Caro studied engineering at Christ's College, Cambridge and worked in the studio of sculptor Charles Wheeler during his school holidays, before going on to serve in the Royal Navy. In 1946 he enrolled at the Regent Street Polytechnic to study sculpture, and he studied at the Royal Academy Schools from 1947 to 1952.

Read More

In the early 1950s, Caro worked as an assistant to Henry Moore. At the time, Caro was making figurative sculptures in clay and plaster, sometimes cast in bronze, such as Man Holding His Foot (1954). Caro's encounters with Moore and, subsequently, American art critic Clement Greenberg and American Modernists like Kenneth Noland and David Smith, inspired him to adopt a more mechanical approach to sculpture in the early 1960s. His abstract work first came to public attention in 1963 with a solo show at the Whitechapel Gallery, London. Twenty Four Hours (1960) and Early One Morning (1962) are two excellent examples of Caro's earliest abstract works in steel.

Twenty Four Hours represents Caro's first abstract sculpture, as well as his first welded sculpture. Constructed entirely from recycled pieces of steel, the 'found' quality of the material is integral to the work. Caro's newly developed technique saw him welding or bolting together pieces of steel, a practice undoubtedly informed by his background in engineering. The finished work was often then painted in a bright monochrome. The works are placed directly on the floor or in a landscape setting with manicured parklands, innovatively eliminating the need for a plinth and enabling a more direct and personal encounter between the work and its viewer. In their day these austere, colourful, abstract works that emphasised line, shape and edge were enormously influential.

Caro's style developed further in the 1980s, when he reintroduced literal and figurative elements into his sculpture. A visit to Greece in 1985 resulted in a series of large-scale narrative works, including the panoramic After Olympia (1986/7) and Déjeuner sur l'herbe II (1989), the latter of which was based on Édouard Manet's infamous 1863 painting. Part of Caro's long-running 'table sculptures' series—initiated much earlier in 1966—Déjeuner sur l'herbe II represents an important aspect of his oeuvre. Modest in scale in comparison with more monumental abstract works, the title of the series references the distinctive reduction in size. Déjeuner sur l'herbe II and the Greek series both allude to the expanded frame of reference that characterises Caro's practice from this period until his death.

In this period, Caro experimented with diverse materials including lead, silver, wood and stoneware. He began making large ceramic sculptures in the mid-1990s. Caro explored his interest in architecture as well, collaborating with Frank Gehry in 1987. He also co-designed the London Millennium Footbridge with architect Norman Foster. In 2008, Caro opened his Chapel of Light at the Church of Saint Jean Baptiste in Bourbourg, France.

Caro died of a heart attack on 23 October 2013. During his lifetime as well as posthumously, his work has been exhibited extensively and internationally, including retrospectives at the Museum of Modern Art, New York (1975); Trajan's Market, Rome (1992); the Museum of Contemporary Art, Tokyo (1995); Tate Britain, London (2005); and three museums in Pas-de-Calais, France (2008), and can be viewed in public collections across the world. Knighted in 1987, Caro received the Order of Merit in May 2000, and was awarded the Lifetime Achievement Award for Sculpture in 1997.

Georgia Messervy | Ocula | 2017

Anthony Caro, Larry's Land (1970). Steel, painted green. 170 x 600 x 305 cm. Courtesy Galerie Max Hetzler. 

Anthony Caro Featured Artworks

View All (12)
Table Piece CCLXXX (B0282) by Anthony Caro contemporary artwork sculpture
Anthony Caro Table Piece CCLXXX (B0282), 1975–1976 Steel, rusted and varnished
79 x 151 x 60 cm
Templon Contact Gallery
Table Piece CLXIII (B0168) by Anthony Caro contemporary artwork sculpture
Anthony Caro Table Piece CLXIII (B0168), 1973 Steel varnished
126 x 84 x 59 cm
Templon Contact Gallery
Stainless Piece A-S (B0632) by Anthony Caro contemporary artwork sculpture
Anthony Caro Stainless Piece A-S (B0632), 1979–1980 Stainless steel
51 x 114 x 61 cm
Templon Contact Gallery
Andy by Anthony Caro contemporary artwork sculpture
Anthony Caro Andy, 1966 Steel painted red
299.7 x 176.5 x 57.2 cm
Karsten Schubert London Contact Gallery
Emma That by Anthony Caro contemporary artwork sculpture
Anthony Caro Emma That, 1977 Steel, rusted, blacked and painted red
133.5 x 142 x 272 cm
Templon Contact Gallery
Table Piece XLVII by Anthony Caro contemporary artwork sculpture
Anthony Caro Table Piece XLVII, 1968 Steel, polished
7 x 19.5 x 15 inches
Kavi Gupta Contact Gallery
Piece CCXLV by Anthony Caro contemporary artwork sculpture
Anthony Caro Piece CCXLV, 1975 Steel, rusted and varnished
28.25 x 69 x 16.5 inches
Kavi Gupta Contact Gallery
Turn Up by Anthony Caro contemporary artwork sculpture
Anthony Caro Turn Up, 2010 Steel, rusted and cast iron, painted
24 x 24 x 27.25 inches
Kavi Gupta Contact Gallery

Anthony Caro Current & Recent Exhibitions

View All (6)

Anthony Caro Represented By

Gagosian contemporary art gallery in 980 Madison Avenue, New York, USA
Gagosian Athens, Basel, Beverly Hills, Geneva, Gstaad +6
Kukje Gallery contemporary art gallery in Seoul, South Korea
Kukje Gallery Busan, Seoul
Templon contemporary art gallery in 30 rue Beaubourg, Paris, France
Templon Brussels, New York, Paris

Anthony Caro In Ocula Magazine

In Ocula Advisory

Anthony Caro In Related Press

View All (5)
Follow Anthony Caro
Sign up and stay ahead.
When new artworks, exhibitions and articles are added.
Get updates when this happens and more.
New works are often added to the artist's profile.
Get updates when this happens and more.
Sign Up Follow