August Vilella taught himself to paint and produces oil paintings that reference both classical and contemporary art. He works in a surreal-intuitive method, creating his wide-eyed characters without prior sketches and allowing his hand to act as a conduit for his subconscious mind.
Born in 1986, August Vilella spent his childhood in Reus (birthplace of Antoni Gaudi) and moved to Barcelona when he was 18 to study philosophy at university. He was also a member of several bands and was writing a book about his own philosophical theories, but felt he needed to find a way to express himself more directly. He said: “From the first moment my brush touched the canvas I fell in love with oil paint and the intuitive creative process”3. He was working as a tour guide at the Sagrada Familia, but decided to quit both his job and music to pursue painting; a year later, he successfully took his work to Japan.
Combining the surreal and the intuitive, August Vilella uses his painting to transfer his subconscious thoughts on to the canvas, playing with light and shade to create a magical aura populated with magical wide-eyed characters that invite viewers to engage with their own emotions. His self-taught painting style—small brushes, many layers of oil paint and varnish—is evocative of Old Masters, although his subject matter is entirely contemporary. Human figures sometimes appear alongside the big-eyed creatures, or other objects from the “real world” including water, and
In a 2024 interview, August Vilella said that through our eyes, ”we can express any feelings and emotions”. He explained that because he is an intuitive painter, he doesn’t know the real reason his characters have such big, expressive eyes but he is sure they are born with them and that because they cannot talk, this is how they communicate with the world.
August Vilella uses a surreal-intuitive method to paint. He doesn’t produce sketches, instead using the oil on canvas to give a shape to his subconscious mind. This results in a dreamlike quality in his paintings. Working with small brushes, he applies many thin layers of oil paint and varnish—his technical practice contrasts with his improvised creativity, which he likens to a jazz painting.
August Vilella has said that his subconscious mind guides his artistic practice, so is not often linked to any specific artistic influences. However, his work does reflect certain aspects of his surroundings: for example, when he was living in Japan he noticed elements appearing that reflected his environment, such as Sakura trees.
Ocula | 2026

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