BETH COLLAR
Working across performance, video, installation, object making and drawing, Collar’s practice is engaged with experimental archaeology, history, magic and the epic. Her performance will be centred around a man’s head carved in oak, which appears severed; prompting thought on iconoclasm and the historical beheadings of Cicero, John the Baptist and Salome, amongst others; the happening will involve speech and sound as well as intimate interactions with the humanised object.
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