Birdhead is an artist collective whose oeuvre consists of photographic captures of everyday life in their native city Shanghai. The snap-shot aesthetic of their extensive and accumulative photo-series (b/w as well as colour) delivers a subjective and un-retouched take on
"I often feel that November is a boy with his trouser pockets filled with roasted chestnut, wearing a thin shirt in the chilly wind, and walking aggressively and bravely. A long time ago, before Starbucks, McDonald's and Dolby-surrounding cinemas, in numerous sunny November days, the idle boys had to wander in groups across the streets, fiercely and energetically. And seemingly, our Shanghai grows in their wandering and repeated stare. The dark-green scaffolds are removed and mounted; the cement columns of the viaducts silently form the shade over our heads; large landscape expands across the old houses that have once witnessed our birth; during typhoon season, the ferry dock trembles in Huangpu River; at midnight, earthwork trucks run across the void roads. Tank cars. Roses. Ruins. Fountains. Fireworks. It takes too long and the night is looming. They almost cross the entire Shanghai, when the columns of the viaducts are occupied by green Boston ivy.
Our hearts are filled with a huge amount of love and sadness.
Afterwards, there are metro and light rail, crossing through Shanghai under the ground or in the sky. Time passes too quickly for us to make a revolutionary posture. No time for questions and hesitation. There's a voice pushing us, following the boy with chestnuts, wandering aggressively and aimlessly, to witness what shadow our Shanghai will create and when the ivy will cover all the roads."
JI Weiyu (1980) and SONG Tao (1979) were both born in Shanghai, where they also reside and work today. The artists graduated from the Shanghai Arts and Crafts School in 2000. Recent exhibitions include: New Photography 2012, MoMA, NewYork, U.S.A.(2012); Reactivation - 9th Shanghai Biennale, Power Station of Art, Shanghai(2012); The 54th Venice Biennale——ILLUMInations, Venice, Italy (2011); China Power Station - part 4, Pinacoteca Agnelli, Torino, Italy (2010); The World of Other's: A Contemporary Art Exhibition, Museum of Contemporary Art, Shanghai (2008); China Power Station II, Astrup Fearnley Museum of Modern Art, Oslo, Norway (2007). And their solo exhibitions include: Welcome to Bird Head World Again-Beijing 2012, ShanghART Beijing, Beijing(2012); Birdhead: New Village, EX3 Centro per l'arte Contemporanea Firenze, Florence, Italy (2011); Artist File 2011 The NACT Annual Show of Contemporary Art, National Art Center, Tokyo, Japan (2011); Welcome to the World of Bird Head Again-2010, Guangzhou; Lianzhou (2010); Bird Head 2006+2007 Photography Show, BizArt, Shanghai (2007).
In Taipei, the artwork that said most about the contemporary art market's fraught situation in East Asia was not at the 26th Art Taipei (18–21 October 2019), but across town at the Taiwan Contemporary Culture Lab, a publicly funded art park established in Taiwan's former Air Force Command Headquarters in 2018. Chin Cheng-Te's Tender Soul –...
ShanghART in Singapore is holding Welcome to Birdhead World Again, a solo exhibition by Chinese photography duo Bird Head, including new works commissioned and mounted especially for the show. This exhibition is the result of the first in a series of Southeast Asia residencies made possible by ShanghART with the support of the National Arts...
Unlimited, the Art Basel platform allotted for large-scale and unconventional artworks, will be showing a record 88 projects from participating galleries this year. Gianni Jetzer, curator-at-large at the Hirshhorn Museum and Sculpture Garden, is heading the section for the fifth year in a row.