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Ocula ReportShows to see in Hong Kong: The Lowdown19 Oct 2018 : Diana d’Arenberg for Ocula{{document.location.href}}
From Cao Fei's first large-scale institutional exhibition in Asia, to a showing of historical works by Robert Rauschenberg, Ocula contributor Diana d'Arenberg offers her lowdown of shows to see in Hong Kong this autumn. Cao Fei: A hollow in a world too full Tai Kwun Contemporary, 10 Hollywood Rd, Central 8 September 2018–4 January 2019 Following on...
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Ocula ConversationStefanie Hessler, Kostis Stafylakis and Poka-Yio{{document.location.href}}
In February 2007, the Athens Biennale announced its first edition, Destroy Athens, by distributing crumpled golden cards with dates and details among artists and art historians during a conference staged at the Goethe-Institut in Athens, Prayer for (Passive?) Resistance. The project seemed like a performative joke orchestrated by artist Poka-Yio,...
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Ocula ReportFrieze Week 2018: London, Masters and 1-5412 Oct 2018 : Amah-Rose McKnight-Abrams for Ocula{{document.location.href}}
A rush of politics kicked off Frieze Week this year, with a talk between Chelsea Manning and James Bridle organised by the Institute of Contemporary Arts at the Royal Institution, three days ahead of the opening of Frieze London, Frieze Masters and 1-54 (4–7 October 2018). The event felt more like a press conference, with attendees seemingly...
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Irene Hanenbergh was born in The Netherlands. Until 1998 she lived between The Netherlands, Athens and London where she completed a BA (Hons) in Painting and Sculpture at the Academy of Fine Arts Minerva, The Netherlands, a BA (Hons) in Printmaking at the Athens School of Fine Art and a Post Graduate in Printmaking at The Royal College of Art, London.

She currently works in Melbourne and recently completed a Master of Fine Arts by research at the Victorian College of the Arts and Music. In 2008-2009 she spent considerable time on artist residencies in the USA (NYC) and in Europe.

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