Ocula Conversation Pierre Huyghe: The Artist as Director Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev, was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and close to...
Ocula Report MoMA Expansion: Once the Modern, Always the Modern 29 Nov 2019 : Mohammad Salemy for Ocula In the early decades of its existence, New York's Museum of Modern Art (MoMA), founded in 1929, transformed from a philanthropic project modestly housed in a few rooms of the Heckscher Building on the corner of Fifth Avenue and 57th Street, to an alleged operating node in the United States' cultural struggle during the cold war, and one of the...
Ocula Insight | Video Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Karl-Heinz Adler (born in 1927) is known as a major and independent representative of constructive-concrete art that deals with structures that are composed of repeating elements. Besides his artistic practice he had been pursuing an applied conception of 'producing systems' in collaboration with Friedrich Kracht in the 1950s which he applied to architecture and environmental design. There are interfaces between his work and Richard Paul Lohse's variable systems, Josef Albers' colour layers, François Morellets' serial linework, the spiritual-philosophic and social concerns of constructivist avant garde and Bauhaus. In addition to his artistic works the current exhibition shows original sketches of the Beton-Formsteine (concrete-stones). Karl-Heinz Adler lives and works in Dresden.
