Liam Gillick has exhibited extensively in major museums, art fairs, and events across the world, including Documenta and the Venice, Berlin, and Istanbul Biennales. Gillick represented Germany at the 53rd Venice Biennale in 2009.
Solo exhibitions include The Knot of Which I Speak Cannot be Knotted, Gallery Baton, Seoul (2021); The Work Life Effect, Gwangju Museum of Art (2021); Standing on Top of a Building: Films 2008-2019, Museo d’Arte Contemporanea Donna Regina, Naples (2019); New Order + Liam Gillick: So It Goes.., Manchester International Festival, Manchester (2017); 14th Istanbul Biennale (2015); THE THOUGHT STYLE MEETS THE THOUGHT COLLECTIVE, Maureen Paley, London (2015); and _Three perspectives and a short scenari_o, Museum of Contemporary Art (MCA), Chicago (2010).
Collaborative projects include Philippe Parreno & Liam Gillick: Space Time Substitution, De Pont Museum of Contemporary Art, Tilburg (2021); Development, Okayama Art Summit (2016); Solaris Chronicles, Luma Foundation, Arles (2014); The one hundred and sixty-third floor, Liam Gillick Curates the Collection, MCA Chicago (2009); The Night School, The New Museum, New York (2008); and Edgar Schmitz, Institute of Contemporary Arts (ICA), London (2005).
Group exhibitions include Catastrophe and Recovery, National Museum of Modern and Contemporary Art, Seoul (2021); Dependent Objects, MCA Chicago (2021); Arcimboldo Face to Face, Centre Pompidou-Metz, Metz; Do it, A4 Contemporary Arts Center, Chengdu (2020); Age of You, Museum of Contemporary Art Toronto (2019); Travellers: Stepping into the Unknown, The National Museum of Art, Osaka (2018); John Latham – A World View, Serpentine Gallery, London (2015); and Swiss Pavilion, 14th Architecture Biennale, Venice (2014).
