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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Michael Craig-Martin

b. 1941, Ireland

Michael Craig-Martin was born in Dublin in 1941, and studied at Yale University, New Haven from 1963 to 1966. He was a professor at Goldsmith's College, London from 1974-88 and 1994-2000, where he was a significant influence on emerging British artists.

Featured Artworks

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Wheelbarrow by Michael Craig-Martin contemporary artwork
Michael Craig-MartinWheelbarrow, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery
Trumpet by Michael Craig-Martin contemporary artwork
Michael Craig-MartinTrumpet, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery
Trainer by Michael Craig-Martin contemporary artwork
Michael Craig-MartinTrainer, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery
Tapemeasure by Michael Craig-Martin contemporary artwork
Michael Craig-MartinTapemeasure, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery
Tap by Michael Craig-Martin contemporary artwork
Michael Craig-MartinTap, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery
Stiletto by Michael Craig-Martin contemporary artwork
Michael Craig-MartinStiletto, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery
Security Camera by Michael Craig-Martin contemporary artwork
Michael Craig-MartinSecurity Camera, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery
Piano by Michael Craig-Martin contemporary artwork
Michael Craig-MartinPiano, 2019 Screenprint
60 x 60 cm
Alan Cristea Gallery

Current & Recent Exhibitions

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Contemporary art exhibition, Michael Craig-Martin, Sculpture at Gagosian, London
Open Now
31 May–23 August 2019 Michael Craig-Martin Sculpture Gagosian, Britannia Street, London
Contemporary art exhibition, Group Exhibition, Print Project Space: New Editions at Alan Cristea Gallery, London
Closed
1–22 September 2018 Group Exhibition Print Project Space: New Editions Alan Cristea Gallery, London
Contemporary art exhibition, Group Exhibition, In Times of Plenty: The Shape of Things Today at Reflex Amsterdam, Amsterdam
Closed
7 July–4 September 2018 Group Exhibition In Times of Plenty: The Shape of Things Today Reflex Amsterdam

Represented By

In Ocula Magazine

Michael Craig-Martin Ocula Conversation Michael Craig-Martin Artist, United Kingdom

Leading British painter Michael Craig-Martin was born in Dublin in 1941 and moved to the United States as a boy. He went on to study fine art at Yale before returning across the Atlantic to teach. At Goldsmiths College he influenced what would become known as the Young British Artists while developing his own works, which include super flat line...

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In Related Press

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Michael Craig-Martin on Albers, America, and architecture as entertainment Related Press Michael Craig-Martin on Albers, America, and architecture as entertainment Wallpaper* : 11 February 2019

Somewhere in a maze of picket fences, golf greens and lakes, Vero Beach's The Gallery at Windsor is a remote haven for British art world patricians. It's currently two years into a partnership with London's Royal Academy of Arts, which annually brings a celebrated artist to the Atlantic coastline to exhibit.

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Heads Roll review – an exhibition for narcissists everywhere Related Press Heads Roll review – an exhibition for narcissists everywhere The Guardian : 13 August 2018

Portraiture is an enduring art form, thanks to the narcissistic tendencies of the human race.

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Critic's Guide: Seoul Related Press Critic's Guide: Seoul Frieze : 20 September 2017

This huge retrospective of Krzysztof Wodiczko's work presents everything from his early objects concerning censorship under a Polish socialist government to his 'cultural prosthetics' for the homeless and immigrants to his projections on monuments and civic buildings. The artist's lifetime interest in the interventions in public spaces by minority...

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SIMPLE SEMIOTICS: INTERVIEW WITH MICHAEL CRAIG-MARTIN Related Press SIMPLE SEMIOTICS: INTERVIEW WITH MICHAEL CRAIG-MARTIN Art Asia Pacific : 10 April 2017

Michael Craig-Martin is jetlagged. At the hour of our meeting, the Dublin-born septuagenarian rolled into Hong Kong's upscale Peninsula hotel after having unglued himself from an overextended luncheon. It is March 20, a day after his arrival in temperate Hong Kong straight from foggy England, and the beginning of the city's week-long annual art...

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In Video & Audio

Michael Craig-Martin in conversation with Michael Bracewell Related Video & Audio Michael Craig-Martin in conversation with Michael Bracewell Alan Cristea Gallery : 1 November 2017

Recorded on 1 November 2017 at the Alan Cristea Gallery, London. Artist Sir Michael Craig-Martin speaks to writer, curator and cultural commentator, Michael Bracewell about his latest series of prints and drawings, which (amongst other things) feature iconic modernist architecture of the 20th century.

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