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b. 1961, Thailand

Pinaree Sanpitak Biography

Widely known for her 'breast stupa' motif, Thai artist Pinaree Sanpitak is equally known for her fluid transitions between ideas and mediums, constantly building on prior works and concepts. The critically recognised conceptual artist is often categorised as a feminist artist who focuses on the female self and motherhood, but while much of Sanpitak's practice explores womanhood and the female body, her work is largely an exploration of the human form and humanity, seeing the body as a site of experience and impressions. Her works (sculpture, painting, drawing, installation, ceramic, printmaking, photography, performance) often delve into the affectual relationships between humans and draw on themes of fertility and comfort.

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Sanpitak's breast stupa motif refers to the variety of Buddhist shrine known as a stupa, drawing comparisons between it and the breast. The motif is presented in various diverse configurations in her 2019 solo presentation Fragmented Bodies: The Personal and The Public at STPI in Singapore, being directly referenced in works such as the 'Breast Vessel' etching series and variously printed works such as Breast Talks 8 (2018), Breast Works III–2 (2018), and Breast Clouds I–4 (2018). Within the various media and styles of works, that the breast is depicted as a vessel able to be held remains constant throughout. Breast Talks 8 (2018) presents four iterations in various colours, forms, and textures that draw parallels and connections to other works, as well as emphasising the diverse arrangement within the work itself. The breast stupa here is in dialogue with its various forms both literally and metaphorically. There is a visceral element heightened by the various textures.

In her installation Anything Can Break (2011), Sanpitak creates delicate origami cubes and breast-like 'clouds' that hang from the ceiling, a dense layer that responds with musical sound to the movements of onlookers below. Debuting at the 18th Biennale of Sydney, this installation and sound art piece showcased sensory experience and challenged normative views of perception. While not classified directly as performance, Sanpitak has also engaged in community- and collaboration-focused projects such as 'Breast Stupa Cookery' (2005–ongoing), which consists of meals prepared by chefs using or inspired by breast stupa-shaped cooking moulds made from cast aluminium and glass, amongst other materials. The food that is created is then identified as the artwork, offering a much more collaborative and sensual experience of Sanpitak's work that is more in dialogue with the female body. Rather than detached in the manner of conventional sculpture, the act of consuming (as well as preparing) the food offers a sort of connectivity or point of relation.

Sanpitak received her initial tertiary education at the University of Tsukuba in Ibaraki, Japan (1986). In addition to being included in various international collections, her works have been shown at institutions such as the Los Angeles County Museum of Art, Museum voor Moderne Kunst Arnhem, National Gallery Singapore, Singapore Art Museum, and The National Museum of Modern Art Tokyo. She has participated in various biennales including the Jakarta Biennale, the Busan Biennale, the Asia Pacific Triennial of Contemporary Art, and the Setouchi Triennale. She received the Silpathorn Award for visual arts from the Thai Ministry of Culture in 2007.

Perwana Nazif | Ocula | 2019

Pinaree Sanpitak Featured Artworks

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Connected 3 by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakConnected 3, 2018Etching on gampi paper, embedded in embossed STPI handmade mixed ebony fruits and linen paper
52.5 x 53 cm
STPI - Creative Workshop & Gallery Contact Gallery
Connected 2 by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakConnected 2, 2018Etching on gampi paper, embedded in STPI handmade linen paper
39 x 39 cm
STPI - Creative Workshop & Gallery Contact Gallery
Breast Talks 12 by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakBreast Talks 12, 2018Etching on gampi paper, embedded in STPI handmade mulberry paper
106.5 x 107 cm
STPI - Creative Workshop & Gallery Contact Gallery
Breast Works II - 3 by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakBreast Works II - 3, 2018Etching and relief print on gampi paper, collaged on paper
32.5 x 29.5 cm
STPI - Creative Workshop & Gallery Contact Gallery
Red Alert! My Body My Space II by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakRed Alert! My Body My Space II, 2018-2019Acrylic, coloured pencil, textile, paper on canvas
250 x 250 cm
Yavuz Gallery Contact Gallery
Red Alert! My Body My Space I by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakRed Alert! My Body My Space I, 2018-2019Acrylic, pencil, textile, paper on canvas
250 x 250 cm
Yavuz Gallery Contact Gallery
Body of Fragmented Memories V by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakBody of Fragmented Memories V, 2019Textile, paper, acrylic on canvas
180 x 130 cm
Yavuz Gallery Contact Gallery
Body of Fragmented Memories IV by Pinaree Sanpitak contemporary artwork
Pinaree SanpitakBody of Fragmented Memories IV, 2019Paper, acrylic on canvas
180 x 130 cm
Yavuz Gallery Contact Gallery

Pinaree Sanpitak Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Turning the Axis of the World at STPI - Creative Workshop & Gallery, Singapore
Closed
15 August–13 September 2020 Group Exhibition Turning the Axis of the World STPI - Creative Workshop & GallerySingapore
Contemporary art exhibition, Group Exhibition, Closer than they appear at Yavuz Gallery, Sydney
Closed
30 July–28 August 2020 Group Exhibition Closer than they appear Yavuz GallerySydney
Contemporary art exhibition, Pinaree Sanpitak, Bodily Space: Confessed and Concealed at Yavuz Gallery, Singapore
Closed
12 October–17 November 2019 Pinaree Sanpitak Bodily Space: Confessed and Concealed Yavuz GallerySingapore

Pinaree Sanpitak Represented By

Yavuz Gallery contemporary art gallery in Singapore Yavuz Gallery Singapore, Sydney

Pinaree Sanpitak In Ocula Magazine

Womanifesto: Crafting Communities at Asia Art Archive Ocula Feature Womanifesto: Crafting Communities at Asia Art Archive By Emily Verla Bovino, Hong Kong

At Asia Art Archive, Crafting Communities charts the history of the Thai feminist biennial, Womanifesto.

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Emi Eu: ‘We have to look at Southeast Asia as one market’ Ocula Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ By Stephanie Bailey, Singapore

STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019.

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A Change of Scene: Art Stage Singapore 2018 Ocula Feature A Change of Scene: Art Stage Singapore 2018 By Diana d'Arenberg, Singapore

This year marked the eighth edition of Art Stage Singapore (26–28 January 2018), founded with the goal of bringing together galleries and art from Southeast Asia under the roof of the Marina Bay Sands Expo and Convention Centre. The fair was, in its initial years, seen as Singapore's answer to Art Basel, but with a distinct regional...

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Pinaree Sanpitak In Related Press

Between celebration and commemoration: Thai artist Pinaree Sanpitak on the significance of the N-Peace trophies Related Press Between celebration and commemoration: Thai artist Pinaree Sanpitak on the significance of the N-Peace trophies 17 September 2018, Pinaree Sanpitak

Since 2016, I have gifted prints of my Malai collection as trophies for the N-Peace Award winners. Recently I realised how truly fitting these artworks are for the initiative, not to mention the real gravity of the awards' significance.

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CRUMBLE, CRUMBLE, TOIL AND TROUBLE Related Press CRUMBLE, CRUMBLE, TOIL AND TROUBLE 4 December 2017, Pauline x Usha

The House is Crumbling, the latest installation by renowned Thai artist Pinaree Sanpitak, specially commissioned for the National Gallery Singapore's Light to Night Festival 2018, is a visual and sensorial treat. The installation will be open to the public from today, 4 December 2017, at the Koh Seow Chuan Gallery and, when the Light to Night...

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Jakarta Biennale: A new understanding of contemporary Indonesian art Related Press Jakarta Biennale: A new understanding of contemporary Indonesian art 2 November 2017, The Jakarta Post

This year's Jakarta Biennale will diverge from many of the curatorial practices of its predecessors. The Jakarta Biennale, which is set to open on Saturday at Gudang Sarinah Ekosistem in South Jakarta, will this year adopt Jiwa as its artistic concept. Jiwa is a concept that is almost impossible to translate into English, but for this...

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Thai artist Pinaree Sanpitak embraces female form Related Press Thai artist Pinaree Sanpitak embraces female form 19 October 2014, The Sydney Morning Herald

Ever since Thai artist Pinaree Sanpitak gave birth to her only child 21 years ago, she has been obsessed by the female form, particularly the shape of the breast.

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Pinaree Sanpitak In Video & Audio

The House is Crumbling | Interview with Pinaree Sanpitak Related Video & Audio The House is Crumbling | Interview with Pinaree Sanpitak 5 January 2018, National Gallery Singapore

Get to know artist Pinaree Sanpitak's latest work, "The House is Crumbling" currently on display at National Gallery Singapore through 1 April 2018 as part of the Light to Night: Colour Sensations.

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Collection+: Pinaree Sanpitak Related Video & Audio Collection+: Pinaree Sanpitak 9 November 2014, Sherman Contemporary Art Foundation

Sherman Contemporary Art Foundation presents works by acclaimed Thai artist Pinaree Sanpitak, curated by Jasmin Stephens. In this film, Gene Sherman, Executive Director of SCAF, discusses the third iteration of the Collection+ series. SCAF Project 23. Exhibition dates: 17 October - 13 December 2014.

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