In his collaborative and interdisciplinary practice that conjoins art and science, Tavares Strachan leads an investigation into the hierarchical forces responsible for the production of cultural knowledge.
Read MoreBorn in Nassau, Bahamas, Strachan received his BFA from Rhode Island School of Design (2003) and MFA from Yale School of Art (2006).
Strachan is most recognised for his ongoing Encyclopedia of Invisibility: a research-driven compendium that documents people, places, concepts, artworks, scientific phenomena and objects forgotten from official histories.
A key figure in Tavares Strachaan's artwork is Matthew Henson: an African American explorer who journeyed to the North Pole with Robert Peary. While Henson was the first to reach the North Pole in their 1909 expedition, his endeavours were shadowed by Peary's. Polar Eclipse (2013)—presented at The Bahamas' National Pavilion at the 55th Venice Biennale—featured a re-enactment of Henson's voyage in a 14-hour video, exhibited alongside other works including two preserved blocks of ice.
The story of Robert Henry Lawrence Jr.—the first African American astronaut and a United States Air Force pilot—has also inspired several Strachan works. In 2018, the artist collaborated with the LACMA Art + Technology Lab to launch ENOCH: a satellite containing a golden bust of Lawrence. In the following year, Strachan presented a neon skeleton of Lawrence's body titled Robert (2018) in the 58th International Art Exhibition of the Venice Biennale.
In Plain Sight—Strachan's solo exhibition at Marian Goodman Gallery London in 2020—featured 'Distant Relatives' (2020): a group of plaster busts that combine portraits of African American figures from Strachan's research with tribal masks of Africa and Papua New Guinea. The busts included writer James Baldwin and musician Nina Simone, and lesser known figures like Andrea Motley Crabtree, the first woman to qualify for deep sea diving in the United States Army.
The sculpture The Encyclopedia of Invisibility—Tavares Strachan's contribution to the 57th Carnegie International (2018)—drew from the artist's larger Encyclopedia of Invisibility project. Spread across the Carnegie Museum of Art's facade, the installation presented 54 neon texts containing names that are largely left out of history books, including including Baroque painter Artemisia Gentileschi and Chinese revolutionary and feminist Qiu Jin. Placing them next to those etched into the museum's stone, the artist revealed the mechanics of remembrance and erasure in a society that favours the white Euro-American male.
For Desert X 2017, Tavares Strachan presented another monumental neon sculpture, scattering neon tubes in the deserts of Palm Springs, California, to spell 'I Am' from a distance. In the accompanying statement, the artist described the desert as a place for human beings 'to disconnect and reconnect with questions about who they might be.' In 2020, he also installed the pink neon words, 'We are in this together', under a mountain gondola lift in Telluride, Colorado, popular with both tourists and locals.
Tavares Strachan has exhibited internationally.
Solo exhibitions include In broad daylight, Perrotin, Paris (2022); In Total Darkness, Galerie Marian Goodman, Paris (2022); Invisibles, Regen Projects, Los Angeles (2018); The Other Side of the sun, Mestre Projects, Nassau, The Bahamas (2018); You Belong Here, Prospect.3, New Orleans (2014).
Group exhibitions include A Gateway to Possible Worlds: Art and Science Fiction, Centre Pompidou-Metz (2022); Soft Power, San Francisco Museum of Modern Art (2019); Carnegie International (2018); Bringing The World Into The World, Queens Museum, New York (2014).
Sherry Paik | Ocula | 2022
