HU WEI

b. 1983, China
Hu Wei Biography

Hu Wei’s (胡伟) practice takes various media, such as video, installation, performance, and writing, to establish an artistic relationship between the reality (non-artistic gesture) and ‘art tales’. Combining the observation of individuality and social realism, recently he is exploring the mediation or irreconcilable phenomenology between technology and the human condition, and in which the emerging political, economic, ethical issues are embedded.

The recent exhibitions Hu once participated include: Towards the Emergence of Resistance (Taking Space, 2016), Collective Disorder / After Speaking (Greylight Projects, Brussels), Shanghai Projects-Qidian (Himalayas Museum, 2016), Songs For A Deaf Ox ( Arnhem, NL), Break The Floor (Rabbithole, NY), Invitation to the Blues (Punt WG Space, Amsterdam), Beginnings of Conversations (Sazmanab Center for Contemporary Art, Tehran) etc.

Hu Wei currently works and lives in Beijing. Graduated from Painting Department of CAFA, 2012, and obtained an MA at Dutch Art Institute in 2016. He also participated artist-in-residency in Portugal, Netherlands and Mexico.

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Representative Artworks

Exhibition view: Hu Wei and Xiang Kaiyang, The Long Way Around, ShanghART Beijing (18 December 2021–18 February 2022). Courtesy ShanghART.
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Hu Wei, The Rumbling (2023). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Hu Wei, The Almost Perfect Crime (2022) (detail). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Hu Wei, The Almost Perfect Crime (2022). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Hu Wei, The Rumbling (2023). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Exhibition view: Hu Wei, Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Hu Wei, The Almost Perfect Crime (2022) (detail). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Hu Wei, The Rumbling (2023) (still). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Top to bottom: Hu Wei, Long Time Between Sunsets and Underground Waves (2020–2021); Aquatic Invasion (No.1-No.6) (2021). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Hu Wei, The Rumbling (2023) (still). Exhibition view: Touching A Fabric of Holes, Macalline Art Center, Beijing (21 May–3 September 2023). Courtesy Macalline Art Center.
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Hu Wei in Ocula Magazine

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