Ximena Garrido-Lecca (b. 1980, Lima, Peru) is a contemporary artist whose sculpture, installation, and multimedia practice examines the cultural, material, and ecological legacies of colonialism in the Andean region, using seeds, metals, fibres, ceramics, and plant matter drawn from Peruvian landscapes and traditions.
Garrido-Lecca’s work has been shown at major institutions including the 34th Bienal de São Paulo (2020), Portikus, Frankfurt (2022), the Renaissance Society, Chicago (2025), and the 2025 Sharjah Biennial, and in 2025 was acquired by the Solomon R. Guggenheim Museum, New York, as part of the museum’s Latin American Circle programme. She lives and works between Mexico City and Lima.
Ximena Garrido-Lecca was born in Lima, Peru, in 1980. She studied fine arts at the Catholic University of Peru (Pontificia Universidad Católica del Perú) from 1997 to 2001 before relocating to London.
In London, Garrido-Lecca completed a postgraduate course at the Byam Shaw School of Art in 2002, followed by a Master of Fine Arts at Byam Shaw School of Art at Central Saint Martins in 2004. After a decade based between London and Lima, she moved to Mexico City, where she continues to live and work alongside maintaining a presence in Lima.
Ximena Garrido-Lecca creates sculptures, installations, and multimedia works that explore the tensions between Peru’s ancestral knowledge systems and the impacts of colonial and globalised modernity.
Garrido-Lecca’s early works, shown at venues including the Saatchi Gallery, London (Newspeak: British Art Now, 2010), and Middlesbrough Institute of Modern Art (2012), established her engagement with Peruvian material culture as a lens for examining extraction, labour, and landscape. Works such as her Los Suelos series (2013—2014) involved miniature replicas of ancient mud walls overlaid with commercial signage, referencing the erosion of indigenous practices. Her selection for the Future Generation Art Prize in 2014 at the Pinchuk Art Centre, Kyiv, brought international recognition.
Through the mid-2010s and 2020s, Garrido-Lecca deepened her investigation of botanical, geological, and textile systems. Solo exhibitions at MALBA, Buenos Aires (Estados Nativos, 2017), SAPS, Mexico City (Insurgencias botánicas, 2017), and Orange County Museum of Art (Spectrums of Reference, 2019) saw her working with copper weaving, hand-thrown ceramics cracked with iron solder and LED tubes, and living plant specimens. Her inclusion in the 34th Bienal de São Paulo (2020) and the 5th Kochi-Muziris Biennale (2022) cemented her international profile.
Garrido-Lecca’s recent work extends her research into solar technologies, pre-Columbian ritual vessels, and agricultural processes. Her Heliomorphism series, shown at Museo Madre, Naples (2021), uses silicon from solar panels to replicate archaeological vessels from the Temple of the Sun at Pachacamac, connecting ancestral sun worship with contemporary energy extraction. In 2025, she presented Germinations at the Renaissance Society, Chicago, and participated in the Sharjah Biennial 16. That same year, her work was named winner of the Bass Museum of Art public art commission in Miami Beach.
Ximena Garrido-Lecca has exhibited widely at institutions, biennales, and contemporary art galleries across the Americas, Europe, Asia, and the Middle East.
Ximena Garrido-Lecca’s work is held in the following public and private collections:
Ximena Garrido-Lecca is represented by Galerie Gisela Capitain, Cologne; Kasmin, New York; and 80m2 Livia Benavides, Lima. View artworks, exhibitions, and further reading about Ximena Garrido-Lecca on Ocula.
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Ximena Garrido-Lecca is a Peruvian contemporary artist born in Lima in 1980, known for sculptures and installations that examine the cultural and ecological legacies of colonialism in the Andean region using materials such as seeds, metals, fibres, and ceramics. She lives and works between Mexico City and Lima.
Ximena Garrido-Lecca makes sculpture, installation, and multimedia works that draw on Peruvian botanical, geological, and textile traditions to explore tensions between ancestral knowledge and modern colonial and industrial systems.
Ximena Garrido-Lecca studied fine arts at the Catholic University of Peru in Lima from 1997 to 2001, then completed a postgraduate course and an MFA at the Byam Shaw School of Art at Central Saint Martins, London, in 2004.
Ximena Garrido-Lecca’s work is held in major public collections including the Solomon R. Guggenheim Museum, New York, Tate Modern, London, MALBA, Buenos Aires, and the Museo de Arte de Lima, and can be viewed through her representing galleries Galerie Gisela Capitain, Kasmin, and 80m2 Livia Benavides.
Ximena Garrido-Lecca’s work was acquired by the Solomon R. Guggenheim Museum, New York, in 2025 as part of the museum’s Latin American Circle acquisitions programme, announced in January 2026.
Ximena Garrido-Lecca works with a wide range of materials including copper, iron, silicon from solar panels, hand-thrown ceramics, plant specimens, seeds, and woven fibres, often drawn from Andean landscapes and pre-Columbian craft traditions.
Ximena Garrido-Lecca is represented by Galerie Gisela Capitain in Cologne, Kasmin in New York, and 80m2 Livia Benavides in Lima.
Ximena Garrido-Lecca has participated in numerous international biennales, including the 34th Bienal de São Paulo (2020), the 5th Kochi-Muziris Biennale (2022), the 12th Cuenca Biennial (2014), and the 2025 Sharjah Biennial.
Ocula | 2026

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