
‘Exhibitions of my work are usually arranged chronologically. The images tell a story shaped by time. But there are some photographs—Georgia O’Keeffe’s red hill, the portrait of Joan Didion in Central Park—that rhyme with photographs from other places, other times. They aren’t moored to the moment they were made. I keep returning to these images’
Travelling from Hauser & Wirth New York, 22nd Street, this exhibition presents a group of works—landscapes, still lifes and portraits—made by the distinguished American artist over the last two decades. Forgoing a linear timeline and conventional thematic constraints, the exhibition reveals Leibovitz’s associative thought processes and the fluid visual dialogue created among photographs that call attention to significant cultural markers of our time.
This is Leibovitz’s first exhibition in Monaco and follows her induction into the prestigious Académie des Beaux-Arts in Paris in 2024, the most recent achievement for the highly decorated artist, who was made a Commandeur in the Ordre des Arts et des Lettres by the French government in 2006.
‘Stream of Consciousness’ features both familiar images of iconic writers, performers and visual artists—Amy Sherald, Billie Eilish and Salman Rushdie are among them—and images that have rarely been exhibited publicly before. These include the Selldorf suite of photographs, depicting the historic Frick Collection in New York City whilst under construction. Annabelle Selldorf had been charged with the sensitive task of renovating the museum and had spoken to Leibovitz about the design challenges she was addressing. The photographs on view were taken just days after Leibovitz returned from a visit with Selldorf at the architect’s home in Maine.
‘Stream of Consciousness’ includes portraits of contemporary cultural figures such as Supreme Court Justice Ketanji Brown Jackson and Stephen Hawking alongside images of landscapes, interiors and historical ephemera—Abraham Lincoln’s top hat and Elvis Presley’s bullet-riddled television. The associative juxtapositions show Leibovitz’s diverse range of subjects and ability to balance intimacy and theatricality, the exquisitely personal and the grandly universal. Her eye is guided by intuition and a preternatural sense of narrative.

Annie Leibovitz was born in 1949 in Connecticut. She bought her first camera in the summer of 1968, when she was a student at the San Francisco Art Institute, and her early works are punctuated by images of the Bay Area landscape and photographs shot during drives the artist often took on the highways between San Francisco and Los Angeles. She switched majors from painting to photography, and while still a student, in 1970, she approached Rolling Stone magazine–just three years after its inception–with a few of her pictures. Some of them were published, thus beginning her career as a photojournalist and embarking on what would develop into a symbiotic relationship between the young photographer and a magazine famous for reflecting the American zeitgeist. Leibovitz’s first major assignment was for a cover story on John Lennon.




Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and Vice President Marc Payot. A family business with a global outlook, Hauser & Wirth has expanded over the past 26 years to include outposts in Hong Kong, London, New York, Los Angeles, Somerset and Gstaad. The gallery represents over 70 artists and estates who have been instrumental in shaping its identity over the past quarter-century, and who are the inspiration for Hauser & Wirth’s diverse range of activities that engage with art, education, conservation and sustainability.

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